Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• CONTENTSEditor’s Foreword: In Memoriam: Oleg Grabar (1929–2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bibliography of Professor Oleg Grabar, 2007–2010 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Alain F. George, The Illustrations of the Maqāmāt and the Shadow Play . . . . . . . . . . . . . . . . . . . . . . . . Marcus Milwright, On the Date of Paul Kahle’s Egyptian Shadow Puppets . . . . . . . . . . . . . . . . . . . . Adam Mestyan, Arabic Lexicography and European Aesthetics: The Origin of Fann . . . . . . . . . . . . Amy S. Landau, From Poet to Painter: Allegory and Metaphor in A Seventeenth-Century PersianPainting by Muhammad Zaman, Master of Farangī-Sāzī . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lisa Golombek, The So-Called “Turabeg Khanom” Mausoleum in Kunya Urgench: Problems ofAttribution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Suna Çağaptay, Frontierscape: Reconsidering Bithynian Structures and Their Builders on theByzantine–Ottoman Cusp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Doris Behrens-Abouseif, The Complex of Sultan Mahmud I in Cairo . . . . . . . . . . . . . . . . . . . . . . . . . . NOTES AND SOURCESFiliz Çağman and Zeren Tanındı, Selections from Jalayirid Books in the Libraries of Istanbul . . . . . Yael Rice, An Early Fifteenth-Century Khamsa from Shiraz in the Bryn Mawr College Library . . . . . .Oleg Grabar†, On Knowledge and Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .