Gülru Necipoğlu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• Editors’ Note and New Guidelines for Submission of Manuscripts Mattia Guidetti, The Byzantine Heritage in the Dār al-Islām: Churches and Mosques in al-Ruha between the Sixth and Twelfth Centuries Katia Cytryn-Silverman, The Umayyad Mosque of TiberiasMarcus Schadl, The Shrine of Nasir Khusraw: Imprisoned Deep in the Valley of YumganR. D. McChesney, An Early Seventeenth-Century Palace Complex (Dawlatkhāna) in Balkh Olga Bush, The Writing on the Wall: Reading the Decoration of the Alhambra Doris Behrens-Abouseif, The Jalayirid Connection in Mamluk Metalware Nadia Erzini and Stephen Vernoit, Imari Porcelain in Morocco Moya Carey, Al-Sufi and Son: Ibn al-Sufi’s Poem on the Stars and Its Prose Parent Bernard O’Kane, Reconciliation or Estrangement? Colophon and Paintings in the TİEM Ẓafarnāma and Some Other Controversial Manuscripts Christiane Gruber, Between Logos (Kalima) and Light (Nūr): Representations of the Prophet Muhammad in Islamic Painting Emine Fetvaci, The Production of the Şehnāme-i Selīm ḪānHadi Maktabi, Under the Peacock Throne: Carpets, Felts, and Silks in Persian Painting, 1736–1834Notes and SourcesMarianne Barrucand† and Mourad Rammah (Avinoam Shalem and Jean-Pierre Van Staëvel, editors), Sabra al-Mansuriyya and Her Neighbors during the First Half of the Eleventh Century: Investigations on Stucco Decoration Cumulative (Chronological) Index of Articles, Muqarnas I–XXV

Gülru Necipoğlu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• Editors’ Note and New Guidelines for Submission of Manuscripts Mattia Guidetti, The Byzantine Heritage in the Dār al-Islām: Churches and Mosques in al-Ruha between the Sixth and Twelfth Centuries Katia Cytryn-Silverman, The Umayyad Mosque of TiberiasMarcus Schadl, The Shrine of Nasir Khusraw: Imprisoned Deep in the Valley of YumganR. D. McChesney, An Early Seventeenth-Century Palace Complex (Dawlatkhāna) in Balkh Olga Bush, The Writing on the Wall: Reading the Decoration of the Alhambra Doris Behrens-Abouseif, The Jalayirid Connection in Mamluk Metalware Nadia Erzini and Stephen Vernoit, Imari Porcelain in Morocco Moya Carey, Al-Sufi and Son: Ibn al-Sufi’s Poem on the Stars and Its Prose Parent Bernard O’Kane, Reconciliation or Estrangement? Colophon and Paintings in the TİEM Ẓafarnāma and Some Other Controversial Manuscripts Christiane Gruber, Between Logos (Kalima) and Light (Nūr): Representations of the Prophet Muhammad in Islamic Painting Emine Fetvaci, The Production of the Şehnāme-i Selīm ḪānHadi Maktabi, Under the Peacock Throne: Carpets, Felts, and Silks in Persian Painting, 1736–1834Notes and SourcesMarianne Barrucand† and Mourad Rammah (Avinoam Shalem and Jean-Pierre Van Staëvel, editors), Sabra al-Mansuriyya and Her Neighbors during the First Half of the Eleventh Century: Investigations on Stucco Decoration Cumulative (Chronological) Index of Articles, Muqarnas I–XXV

Gülru Necipoğlu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• Editors’ Note and New Guidelines for Submission of Manuscripts Mattia Guidetti, The Byzantine Heritage in the Dār al-Islām: Churches and Mosques in al-Ruha between the Sixth and Twelfth Centuries Katia Cytryn-Silverman, The Umayyad Mosque of TiberiasMarcus Schadl, The Shrine of Nasir Khusraw: Imprisoned Deep in the Valley of YumganR. D. McChesney, An Early Seventeenth-Century Palace Complex (Dawlatkhāna) in Balkh Olga Bush, The Writing on the Wall: Reading the Decoration of the Alhambra Doris Behrens-Abouseif, The Jalayirid Connection in Mamluk Metalware Nadia Erzini and Stephen Vernoit, Imari Porcelain in Morocco Moya Carey, Al-Sufi and Son: Ibn al-Sufi’s Poem on the Stars and Its Prose Parent Bernard O’Kane, Reconciliation or Estrangement? Colophon and Paintings in the TİEM Ẓafarnāma and Some Other Controversial Manuscripts Christiane Gruber, Between Logos (Kalima) and Light (Nūr): Representations of the Prophet Muhammad in Islamic Painting Emine Fetvaci, The Production of the Şehnāme-i Selīm ḪānHadi Maktabi, Under the Peacock Throne: Carpets, Felts, and Silks in Persian Painting, 1736–1834Notes and SourcesMarianne Barrucand† and Mourad Rammah (Avinoam Shalem and Jean-Pierre Van Staëvel, editors), Sabra al-Mansuriyya and Her Neighbors during the First Half of the Eleventh Century: Investigations on Stucco Decoration Cumulative (Chronological) Index of Articles, Muqarnas I–XXV