Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.David J. Roxburgh, Ph.D. (1996) in History of Art, University of Pennsylvania, is Assistant Professor of History of Art and Architecture, Harvard University. He has published on arts of the book and albums, mainly form Iran and Central Asia.

• AcknowledgmentsIntroductionDavid J. Roxburgh, The Study of Painting and the Arts of the BookMaterials and MethodsJonathan M. Bloom, The Introduction of Paper to the Islamic Lands and the Development of the Illustrated ManuscriptSheila S. Blair, Color and Gold: The Decorated Papers used in Manuscripts in Later Islamic TimesThe Conception and Realization of PaintingEva R. Hoffman, The Beginnings of the Illustrated Arabic Book: An Intersection between Art and ScholarshipAbolala Soudavar, The Age of MuhammadiLâle Uluç, Selling to the Court: Late-Sixteenth-Century Manuscript Production in ShirazTheories and Aesthetics of PaintingPriscilla P. Soucek, The Theory and Practice of Portraiture in the Persian TraditionYves Porter, From the 'Theory of the Two Qalams' to the 'Seven Principles of Painting': Theory, Terminology, and Practice in Persian Classical PaintingDavid J. Roxburgh, Kamal al-Din Bihzad and Authorship in Persianate PaintingLater Responses to Paintings and BooksZeren Tanindi, Additions to Illustrated Manuscripts in Ottoman WorkshopsSerpil Bağcı, From Translated Word to Translated Image: The illustrated Şehnâme-i Türkî<\i> John Seyller, A Mughal Code of Connoisseurship

Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.David J. Roxburgh, Ph.D. (1996) in History of Art, University of Pennsylvania, is Assistant Professor of History of Art and Architecture, Harvard University. He has published on arts of the book and albums, mainly form Iran and Central Asia.

• AcknowledgmentsIntroductionDavid J. Roxburgh, The Study of Painting and the Arts of the BookMaterials and MethodsJonathan M. Bloom, The Introduction of Paper to the Islamic Lands and the Development of the Illustrated ManuscriptSheila S. Blair, Color and Gold: The Decorated Papers used in Manuscripts in Later Islamic TimesThe Conception and Realization of PaintingEva R. Hoffman, The Beginnings of the Illustrated Arabic Book: An Intersection between Art and ScholarshipAbolala Soudavar, The Age of MuhammadiLâle Uluç, Selling to the Court: Late-Sixteenth-Century Manuscript Production in ShirazTheories and Aesthetics of PaintingPriscilla P. Soucek, The Theory and Practice of Portraiture in the Persian TraditionYves Porter, From the 'Theory of the Two Qalams' to the 'Seven Principles of Painting': Theory, Terminology, and Practice in Persian Classical PaintingDavid J. Roxburgh, Kamal al-Din Bihzad and Authorship in Persianate PaintingLater Responses to Paintings and BooksZeren Tanindi, Additions to Illustrated Manuscripts in Ottoman WorkshopsSerpil Bağcı, From Translated Word to Translated Image: The illustrated Şehnâme-i Türkî<\i> John Seyller, A Mughal Code of Connoisseurship

Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.David J. Roxburgh, Ph.D. (1996) in History of Art, University of Pennsylvania, is Assistant Professor of History of Art and Architecture, Harvard University. He has published on arts of the book and albums, mainly form Iran and Central Asia.

• AcknowledgmentsIntroductionDavid J. Roxburgh, The Study of Painting and the Arts of the BookMaterials and MethodsJonathan M. Bloom, The Introduction of Paper to the Islamic Lands and the Development of the Illustrated ManuscriptSheila S. Blair, Color and Gold: The Decorated Papers used in Manuscripts in Later Islamic TimesThe Conception and Realization of PaintingEva R. Hoffman, The Beginnings of the Illustrated Arabic Book: An Intersection between Art and ScholarshipAbolala Soudavar, The Age of MuhammadiLâle Uluç, Selling to the Court: Late-Sixteenth-Century Manuscript Production in ShirazTheories and Aesthetics of PaintingPriscilla P. Soucek, The Theory and Practice of Portraiture in the Persian TraditionYves Porter, From the 'Theory of the Two Qalams' to the 'Seven Principles of Painting': Theory, Terminology, and Practice in Persian Classical PaintingDavid J. Roxburgh, Kamal al-Din Bihzad and Authorship in Persianate PaintingLater Responses to Paintings and BooksZeren Tanindi, Additions to Illustrated Manuscripts in Ottoman WorkshopsSerpil Bağcı, From Translated Word to Translated Image: The illustrated Şehnâme-i Türkî<\i> John Seyller, A Mughal Code of Connoisseurship