Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• Oleg Grabar Bibliography, 1953–93ANNABELLE SIMON-CAHN, The Fermo Chasuble of St. Thomas Becket and Hispano-Mauresque Cosmological Silks: Some Speculations on the Adaptive Reuse of TextilesEVA R. HOFFMAN, The Author Portrait in Thirteenth-Century Arabic Manuscripts: A New Islamic Context for a Late-Antique TraditionJONATHAN M. BLOOM, On the Transmission of Designs in Early Islamic ArchitectureYASSER TABBAA, Survivals and Archaisms in the Architecture of Northern Syria, ca. 1080–ca. 1150HAFEZ K. CHEHAB, On the Identification of ʿAnjar (ʿAyn al-Jarr) as an Umayyad FoundationGHAZI BISHEH, From Castellum to Palatium: Umayyad Mosaic Pavements from Qasr al-Hallabat in JordanNUHA N. N. KHOURY, The Dome of the Rock, the Kaʿba, and Ghumdan: Arab Myths and Umayyad MonumentsNASSER RABBAT, The Dome of the Rock Revisited: Some Remarks on al-Wasiti’s AccountsBEATRICE ST. LAURENT and ANDRÁS RIEDLMAYER, Restorations of Jerusalem and the Dome of the Rock and Their Political Significance, 1537–1928ARCHIE G. WALLS, Ottoman Restorations to the Sabil and to the Madrasa of Qaytbay in JerusalemM. TAREK SWELIM, An Interpretation of the Mosque of Sinan Pasha in CairoMOHAMMAD AL-ASAD, The Mosque of al-Rifaʿi in CairoKHALED ASFOUR, The Domestication of Knowledge: Cairo at the Turn of the Century DANIEL PIPES, Egyptian Family Life in 1919JAMEL AKBAR, Gates as Signs of Autonomy in Muslim TownsSCOTT REDFORD, The Seljuqs of Rum and the AntiqueHOWARD CRANE, Evliya Çelebi’s Journey through the Pamphylian Plain in 1671–72GÜLRU NECIPOĞLU, Challenging the Past: Sinan and the Competitive Discourse of Early­Modern Islamic ArchitectureESIN ATIL, The Story of an Eighteenth-Century Ottoman FestivalTÜLAY ARTAN, The Kadırga Palace: An Architectural ReconstructionAYDA AREL, Gothic Towers and Baroque Mihrabs: The Post-Classical Architecture of Aegean Anatolia in the Eighteenth and Nineteenth CenturiesWALTER B. DENNY, Quotations in and out of Context: Ottoman Turkish Art and European Orientalist PaintingFAY ARRIEH FRICK, Possible Sources for Some Motifs of Decoration on Islamic CeramicsLISA GOLOMBEK, The Paysage as Funerary Imagery in the Timurid PeriodTHOMAS W. LENTZ, Dynastic Imagery in Early Timurid Wall PaintingSHEILA S. BLAIR, The Development of the Illustrated Book in IranEDWARD J. KEALL, “One Man’s Mede Is Another Man’s Persian; One Man’s Coconut Is Another Man’s Grenade”MASSUMEH FARHAD and MARIANNA SHREVE SIMPSON, Sources for the Study of Safavid Painting and Patronage, or Méfiez-vous de Qazi AhmadZAHRA FARIDANY-AKHAVAN, All the King’s ToysSHEILA R. CANBY, Depictions of Buddha Sakyamuni in the Jamiʿ al-Tavarikh and the Majmaʿ al-TavarikhANTHONY WELCH, Architectural Patronage and the Past: The Tughluq Sultans of lndiaMICHAEL BRAND, Orthodoxy, Innovation, and Revival: Considerations of the Past in Imperial Mughal Tomb ArchitecturePERWEEN HASAN, The Footprint of the ProphetMICHAEL W. MEISTER, Style and Idiom in the Art of UparāmalaDEBORAH KLIMBURG-SALTER, Dokhtar-i-Noshirwan (Nigar) ReconsideredNANCY SHATZMAN STEINHARDT, The Tangut Royal Tombs near YinchuanZAKARIA ALI, Notes on the Sejarah Melayu and Royal Malay ArtCumulative Authors’ Index, Muqarnas vols. 1–10 (1982–92)

Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• Oleg Grabar Bibliography, 1953–93ANNABELLE SIMON-CAHN, The Fermo Chasuble of St. Thomas Becket and Hispano-Mauresque Cosmological Silks: Some Speculations on the Adaptive Reuse of TextilesEVA R. HOFFMAN, The Author Portrait in Thirteenth-Century Arabic Manuscripts: A New Islamic Context for a Late-Antique TraditionJONATHAN M. BLOOM, On the Transmission of Designs in Early Islamic ArchitectureYASSER TABBAA, Survivals and Archaisms in the Architecture of Northern Syria, ca. 1080–ca. 1150HAFEZ K. CHEHAB, On the Identification of ʿAnjar (ʿAyn al-Jarr) as an Umayyad FoundationGHAZI BISHEH, From Castellum to Palatium: Umayyad Mosaic Pavements from Qasr al-Hallabat in JordanNUHA N. N. KHOURY, The Dome of the Rock, the Kaʿba, and Ghumdan: Arab Myths and Umayyad MonumentsNASSER RABBAT, The Dome of the Rock Revisited: Some Remarks on al-Wasiti’s AccountsBEATRICE ST. LAURENT and ANDRÁS RIEDLMAYER, Restorations of Jerusalem and the Dome of the Rock and Their Political Significance, 1537–1928ARCHIE G. WALLS, Ottoman Restorations to the Sabil and to the Madrasa of Qaytbay in JerusalemM. TAREK SWELIM, An Interpretation of the Mosque of Sinan Pasha in CairoMOHAMMAD AL-ASAD, The Mosque of al-Rifaʿi in CairoKHALED ASFOUR, The Domestication of Knowledge: Cairo at the Turn of the Century DANIEL PIPES, Egyptian Family Life in 1919JAMEL AKBAR, Gates as Signs of Autonomy in Muslim TownsSCOTT REDFORD, The Seljuqs of Rum and the AntiqueHOWARD CRANE, Evliya Çelebi’s Journey through the Pamphylian Plain in 1671–72GÜLRU NECIPOĞLU, Challenging the Past: Sinan and the Competitive Discourse of Early­Modern Islamic ArchitectureESIN ATIL, The Story of an Eighteenth-Century Ottoman FestivalTÜLAY ARTAN, The Kadırga Palace: An Architectural ReconstructionAYDA AREL, Gothic Towers and Baroque Mihrabs: The Post-Classical Architecture of Aegean Anatolia in the Eighteenth and Nineteenth CenturiesWALTER B. DENNY, Quotations in and out of Context: Ottoman Turkish Art and European Orientalist PaintingFAY ARRIEH FRICK, Possible Sources for Some Motifs of Decoration on Islamic CeramicsLISA GOLOMBEK, The Paysage as Funerary Imagery in the Timurid PeriodTHOMAS W. LENTZ, Dynastic Imagery in Early Timurid Wall PaintingSHEILA S. BLAIR, The Development of the Illustrated Book in IranEDWARD J. KEALL, “One Man’s Mede Is Another Man’s Persian; One Man’s Coconut Is Another Man’s Grenade”MASSUMEH FARHAD and MARIANNA SHREVE SIMPSON, Sources for the Study of Safavid Painting and Patronage, or Méfiez-vous de Qazi AhmadZAHRA FARIDANY-AKHAVAN, All the King’s ToysSHEILA R. CANBY, Depictions of Buddha Sakyamuni in the Jamiʿ al-Tavarikh and the Majmaʿ al-TavarikhANTHONY WELCH, Architectural Patronage and the Past: The Tughluq Sultans of lndiaMICHAEL BRAND, Orthodoxy, Innovation, and Revival: Considerations of the Past in Imperial Mughal Tomb ArchitecturePERWEEN HASAN, The Footprint of the ProphetMICHAEL W. MEISTER, Style and Idiom in the Art of UparāmalaDEBORAH KLIMBURG-SALTER, Dokhtar-i-Noshirwan (Nigar) ReconsideredNANCY SHATZMAN STEINHARDT, The Tangut Royal Tombs near YinchuanZAKARIA ALI, Notes on the Sejarah Melayu and Royal Malay ArtCumulative Authors’ Index, Muqarnas vols. 1–10 (1982–92)

Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• Oleg Grabar Bibliography, 1953–93ANNABELLE SIMON-CAHN, The Fermo Chasuble of St. Thomas Becket and Hispano-Mauresque Cosmological Silks: Some Speculations on the Adaptive Reuse of TextilesEVA R. HOFFMAN, The Author Portrait in Thirteenth-Century Arabic Manuscripts: A New Islamic Context for a Late-Antique TraditionJONATHAN M. BLOOM, On the Transmission of Designs in Early Islamic ArchitectureYASSER TABBAA, Survivals and Archaisms in the Architecture of Northern Syria, ca. 1080–ca. 1150HAFEZ K. CHEHAB, On the Identification of ʿAnjar (ʿAyn al-Jarr) as an Umayyad FoundationGHAZI BISHEH, From Castellum to Palatium: Umayyad Mosaic Pavements from Qasr al-Hallabat in JordanNUHA N. N. KHOURY, The Dome of the Rock, the Kaʿba, and Ghumdan: Arab Myths and Umayyad MonumentsNASSER RABBAT, The Dome of the Rock Revisited: Some Remarks on al-Wasiti’s AccountsBEATRICE ST. LAURENT and ANDRÁS RIEDLMAYER, Restorations of Jerusalem and the Dome of the Rock and Their Political Significance, 1537–1928ARCHIE G. WALLS, Ottoman Restorations to the Sabil and to the Madrasa of Qaytbay in JerusalemM. TAREK SWELIM, An Interpretation of the Mosque of Sinan Pasha in CairoMOHAMMAD AL-ASAD, The Mosque of al-Rifaʿi in CairoKHALED ASFOUR, The Domestication of Knowledge: Cairo at the Turn of the Century DANIEL PIPES, Egyptian Family Life in 1919JAMEL AKBAR, Gates as Signs of Autonomy in Muslim TownsSCOTT REDFORD, The Seljuqs of Rum and the AntiqueHOWARD CRANE, Evliya Çelebi’s Journey through the Pamphylian Plain in 1671–72GÜLRU NECIPOĞLU, Challenging the Past: Sinan and the Competitive Discourse of Early­Modern Islamic ArchitectureESIN ATIL, The Story of an Eighteenth-Century Ottoman FestivalTÜLAY ARTAN, The Kadırga Palace: An Architectural ReconstructionAYDA AREL, Gothic Towers and Baroque Mihrabs: The Post-Classical Architecture of Aegean Anatolia in the Eighteenth and Nineteenth CenturiesWALTER B. DENNY, Quotations in and out of Context: Ottoman Turkish Art and European Orientalist PaintingFAY ARRIEH FRICK, Possible Sources for Some Motifs of Decoration on Islamic CeramicsLISA GOLOMBEK, The Paysage as Funerary Imagery in the Timurid PeriodTHOMAS W. LENTZ, Dynastic Imagery in Early Timurid Wall PaintingSHEILA S. BLAIR, The Development of the Illustrated Book in IranEDWARD J. KEALL, “One Man’s Mede Is Another Man’s Persian; One Man’s Coconut Is Another Man’s Grenade”MASSUMEH FARHAD and MARIANNA SHREVE SIMPSON, Sources for the Study of Safavid Painting and Patronage, or Méfiez-vous de Qazi AhmadZAHRA FARIDANY-AKHAVAN, All the King’s ToysSHEILA R. CANBY, Depictions of Buddha Sakyamuni in the Jamiʿ al-Tavarikh and the Majmaʿ al-TavarikhANTHONY WELCH, Architectural Patronage and the Past: The Tughluq Sultans of lndiaMICHAEL BRAND, Orthodoxy, Innovation, and Revival: Considerations of the Past in Imperial Mughal Tomb ArchitecturePERWEEN HASAN, The Footprint of the ProphetMICHAEL W. MEISTER, Style and Idiom in the Art of UparāmalaDEBORAH KLIMBURG-SALTER, Dokhtar-i-Noshirwan (Nigar) ReconsideredNANCY SHATZMAN STEINHARDT, The Tangut Royal Tombs near YinchuanZAKARIA ALI, Notes on the Sejarah Melayu and Royal Malay ArtCumulative Authors’ Index, Muqarnas vols. 1–10 (1982–92)