Jean-Luc Nancy is Professor of Philosophy at the University of Strasbourg. Stanford has published English translations of a number of his works: A Finite Thinking (2003), The Speculative Remark (2001), Being Singular Plural (2000), The Muses (1996), The Experience of Freedom (1993), and The Birth to Presence (1993).

• @fmct:Contents @toc4:Acknowledgementsi @toc1:Part I"Literature" @toc2:Making Poetry0 Taking Account of Poetry00 Around the Notion of Literary Communism00 He Says00 Vox Clamans in Deserto000 Paean For Aphrodite000 Les Iris000 On Writing000 Roger Laporte: The Page000 In Blanchot's Company000 On Blanchot000 Deguy l'an neuf!000 The Necessity of Sense000 Ja, Bes000 Robert Antelme's Two "Phrases"000 @toc1:Part II"Art" @toc2:Georges000 Catalogue000 Interviews000 Res Extensa000 Lux Lumen Splendor000 Held, Held Back000 A Blank for a Title000 The Technique of the Present000 The Soun-Gui Experience000 The Look of the Portrait000 @toc4:References000

"Multiple Arts is filled with inexplicit connections, surprises, and openings—a most notable contribution."—Henry Sussman, SUNY, Buffalo "These essays are a welcome contribution to the body of Nancy's work that now exists in English. They demonstrate with clarity and rigor the manner in which, for Nancy, the multipplicity of the arts never ceases to touch on, or to expose, the multiplicity of finite worldy existence." —Philosophy in Review/Comptes Rendus Philosophiques

Jean-Luc Nancy is Professor of Philosophy at the University of Strasbourg. Stanford has published English translations of a number of his works: A Finite Thinking (2003), The Speculative Remark (2001), Being Singular Plural (2000), The Muses (1996), The Experience of Freedom (1993), and The Birth to Presence (1993).

• @fmct:Contents @toc4:Acknowledgementsi @toc1:Part I"Literature" @toc2:Making Poetry0 Taking Account of Poetry00 Around the Notion of Literary Communism00 He Says00 Vox Clamans in Deserto000 Paean For Aphrodite000 Les Iris000 On Writing000 Roger Laporte: The Page000 In Blanchot's Company000 On Blanchot000 Deguy l'an neuf!000 The Necessity of Sense000 Ja, Bes000 Robert Antelme's Two "Phrases"000 @toc1:Part II"Art" @toc2:Georges000 Catalogue000 Interviews000 Res Extensa000 Lux Lumen Splendor000 Held, Held Back000 A Blank for a Title000 The Technique of the Present000 The Soun-Gui Experience000 The Look of the Portrait000 @toc4:References000

"Multiple Arts is filled with inexplicit connections, surprises, and openings—a most notable contribution."—Henry Sussman, SUNY, Buffalo "These essays are a welcome contribution to the body of Nancy's work that now exists in English. They demonstrate with clarity and rigor the manner in which, for Nancy, the multipplicity of the arts never ceases to touch on, or to expose, the multiplicity of finite worldy existence." —Philosophy in Review/Comptes Rendus Philosophiques

Jean-Luc Nancy is Professor of Philosophy at the University of Strasbourg. Stanford has published English translations of a number of his works: A Finite Thinking (2003), The Speculative Remark (2001), Being Singular Plural (2000), The Muses (1996), The Experience of Freedom (1993), and The Birth to Presence (1993).

• @fmct:Contents @toc4:Acknowledgementsi @toc1:Part I"Literature" @toc2:Making Poetry0 Taking Account of Poetry00 Around the Notion of Literary Communism00 He Says00 Vox Clamans in Deserto000 Paean For Aphrodite000 Les Iris000 On Writing000 Roger Laporte: The Page000 In Blanchot's Company000 On Blanchot000 Deguy l'an neuf!000 The Necessity of Sense000 Ja, Bes000 Robert Antelme's Two "Phrases"000 @toc1:Part II"Art" @toc2:Georges000 Catalogue000 Interviews000 Res Extensa000 Lux Lumen Splendor000 Held, Held Back000 A Blank for a Title000 The Technique of the Present000 The Soun-Gui Experience000 The Look of the Portrait000 @toc4:References000

"Multiple Arts is filled with inexplicit connections, surprises, and openings—a most notable contribution."—Henry Sussman, SUNY, Buffalo "These essays are a welcome contribution to the body of Nancy's work that now exists in English. They demonstrate with clarity and rigor the manner in which, for Nancy, the multipplicity of the arts never ceases to touch on, or to expose, the multiplicity of finite worldy existence." —Philosophy in Review/Comptes Rendus Philosophiques