Moses Mendelssohn's Metaphysics and Aesthetics

Häftad, Engelska, 2013

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This book presents an extended dialogue in essay form between specialists in the work of Moses Mendelssohn, and experts in important trends in related late-seventeenth and eighteenth century thought. The fourth section presents five essays discussing Mendelssohn’s Aesthetics in a historical context.

Produktinformation

Utgivningsdatum2013-11-29
Mått155 x 235 x 22 mm
Vikt593 g
FormatHäftad
SpråkEngelska
SerieStudies in German Idealism
Antal sidor382
Upplaga2011
FörlagSpringer
ISBN9789400737365

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Preface.- THEORY OF LANGUAGE AND WRITING.- Verbal Disputes in Mendelssohn's “Morgenstunden”, D.O. Dahlstrom.- Writing, Dialogue, and Marginal Form: Mendelssohn's Style of Intervention, W. Goetschel.- MATHEMATICS AND PHILOSOPHY.- Mendelssohn, Wolff, and Bernoulli on Probability, E.D. Sylla.- Mendelssohn on Lambert’s “Neues Organon”, P. Basso.- Mendelssohn’s Euclidean Treatise on Equal Temperament, Henk Visser.- METAPHYSICS IN HISTORICAL CONTEXT.- Moses Mendelssohn on Spinoza, D. Pätzold.- Mendelssohn's Concept of the Human Soul in Comparison With Those of Georg Friedrich Meier and Kant, F. Tomasoni.- Turning the Game against the Idealist: Mendelssohn’s Refutation of Idealism in the “Morgenstunden” and Kant’s Replies, C.W. Dyck.- “What is the bond?” The discussion of Mendelssohn and Kant 1785-1787, R.W. Munk.- Divided by Common Sense: Mendelssohn and Jacobi on Reason and Inferential Justification, P. Franks.- The Year 1786 and “Die Bestimmung des Menschen,” or “Popularphilosophie” in Crisis, G. di Giovanni.- Mendelssohn versus Herder on the Vocation of Man, F.C. Beiser.- Free Will and Moral Necessity in Mendelssohn, J. Leilich.- AESTHETICS IN HISTORICAL CONTEXT.- Mendelssohn's Theory of Mixed Sentiments, P. Guyer.- The Eighteenth-Century Rehabilitation of Sensitive Knowledge and the Birth of Aesthetics: Wolff, Baumgarten and Mendelssohn, L.C. Madonna.- Mendelssohn's Spinozistic Alternative to Baumgarten's Pietist Project of Aesthetics, U. Goldenbaum.- Mendelssohn’s Response to Burke on The Sublime, A. Koller.- Moses Mendelssohn: Iconoclast, G. Freudenthal.