Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2013), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.,). He is co-editor of Bloomsbury Studies in Religion and Popular Music.

• Introduction1. Mortality and Immortality2. Death and the Sacred 3. The Undead and the Uncanny4. Morbidity, Violence, and Suicide5. Transfiguration, Devotion and Immortality

Mortality and Music: Popular Music and the Awareness of Death offers a sustained examination of how contemporary popular music gives room for listeners to meaningfully negotiate the sometimes contradictory implications of modernity’s denial of an afterlife.

Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2013), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.,). He is co-editor of Bloomsbury Studies in Religion and Popular Music.

• Introduction1. Mortality and Immortality2. Death and the Sacred 3. The Undead and the Uncanny4. Morbidity, Violence, and Suicide5. Transfiguration, Devotion and Immortality

Mortality and Music: Popular Music and the Awareness of Death offers a sustained examination of how contemporary popular music gives room for listeners to meaningfully negotiate the sometimes contradictory implications of modernity’s denial of an afterlife.

Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2013), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.,). He is co-editor of Bloomsbury Studies in Religion and Popular Music.

• Introduction1. Mortality and Immortality2. Death and the Sacred 3. The Undead and the Uncanny4. Morbidity, Violence, and Suicide5. Transfiguration, Devotion and Immortality

Mortality and Music: Popular Music and the Awareness of Death offers a sustained examination of how contemporary popular music gives room for listeners to meaningfully negotiate the sometimes contradictory implications of modernity’s denial of an afterlife.