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Will Higbee, Flo Martin, Jamal Bahmad - Moroccan Cinema Uncut, Häftad

Häftad, Engelska, 2022

Moroccan Cinema Uncut

Decentred Voices, Transnational Perspectives

Av Will Higbee, Flo Martin, Jamal Bahmad

699 kr

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Beskrivning
Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.
Produktinformation
  • Utgivningsdatum: 2022-05-30
  • Mått: 156 x 234 x 31 mm
  • Vikt: 444 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 288
  • Förlag: Edinburgh University Press
  • ISBN: 9781474477949
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Mer information

Will Higbee is a Professor of Film Studies at the University of Exeter. He has published widely on cinemas of the Maghreb and their diasporas, as well as questions of national and transnational cinema. He is the author of Post-Beur Cinema (2013) and co-editor of De-Westernizing Film Studies (2012). Florence Martin is the Van Meter Professor of French Transnational Studies at Goucher College (US). She has published internationally on Maghrebi cinema and women’s cinema. Her international publications on Maghrebi and women’s cinema include Screens and Veils: Maghrebi Women’s Cinema (IUP, 2011) and her co-edition of Les Cinémas du Maghreb et leurs publics (Africultures, 2013). Dr Jamal Bahmad is Lecturer in the English Department at Mohammed V University at Agdal, Morocco.

Recensioner i media

Moroccan Cinema Uncut is a substantial contribution and a timely publication for those who want to fully understand the implicit and explicit dynamics of filmmaking in the country. It opens up new theoretical ways of reading Moroccan films and of thinking transnationally about them. In short, this is a well-researched/documented book, enriched more by various case studies and interviews with key figures, which will be of great interest to anyone working on or teaching film, media and gender studies in the kingdom. It offers the reader fascinating insights into the changing patterns of Moroccan cinema and society alike.

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