Maria Flood is Lecturer in World Cinema at Liverpool University. She is the author of France, Algeria and the Moving Image (2017) and has published on Francophone cinemas of the Maghreb, world cinema and political violence and terrorism and ethics in documentary film.

• Introduction 1. ‘A Film We’ve Been Waiting For’: The Social and Cultural Contexts of Moonlight 2. Moonlight and Black Masculinity on Screen 3. Moonlight as Queer Cinema 4. Watching Moonlight: Narrative, Setting and Symbolism 5. Empathy, Universality and Black Boyhood in Moonlight Epilogue Love and Moonlight

Select Guide Rating

Maria Flood is Lecturer in World Cinema at Liverpool University. She is the author of France, Algeria and the Moving Image (2017) and has published on Francophone cinemas of the Maghreb, world cinema and political violence and terrorism and ethics in documentary film.

• Introduction 1. ‘A Film We’ve Been Waiting For’: The Social and Cultural Contexts of Moonlight 2. Moonlight and Black Masculinity on Screen 3. Moonlight as Queer Cinema 4. Watching Moonlight: Narrative, Setting and Symbolism 5. Empathy, Universality and Black Boyhood in Moonlight Epilogue Love and Moonlight

Select Guide Rating

Maria Flood is Lecturer in World Cinema at Liverpool University. She is the author of France, Algeria and the Moving Image (2017) and has published on Francophone cinemas of the Maghreb, world cinema and political violence and terrorism and ethics in documentary film.

• Introduction 1. ‘A Film We’ve Been Waiting For’: The Social and Cultural Contexts of Moonlight 2. Moonlight and Black Masculinity on Screen 3. Moonlight as Queer Cinema 4. Watching Moonlight: Narrative, Setting and Symbolism 5. Empathy, Universality and Black Boyhood in Moonlight Epilogue Love and Moonlight

Select Guide Rating