Birgit Breidenbach is a Lecturer in Literature and Philosophy at the University of East Anglia. After earning a B.A. at the University of Giessen and an M.A. at the University of Warwick, she completed a Ph.D. in English and Comparative Literary Studies at Warwick in 2017 with a thesis on the role of mood in the literature of European modernity. Her published and presented work focuses on literary and aesthetic theory, affect and the interplay between philosophy and literature.Thomas Docherty is Professor of English and of Comparative Literature in the University of Warwick. He is the author of many books, including, most recently, Literature and Capital (Bloomsbury, 2018); The New Treason of the Intellectuals (Manchester University Press, 2018); Complicity (Rowman & Littlefield, 2016); Universities at War (Sage, 2015); Confessions (Bloomsbury, 2012). Political English will appear from Bloomsbury in 2019. He is currently completing a study of Censorship, and a novel, provisionally titled Of Silence and Slow Time. In 2016, he was awarded an honorary degree, Doctor of Letters, from the University of Kent.

• List of FiguresList of ContributorsAcknowledgementsIntroductionBirgit Breidenbach and Thomas Docherty1 Changing MoodsHagi Kenaan2 The Composition of a MoodJon Arcaraz Puntonet3 The Varieties of Mood IntentionalityJonathan Mitchell4 Against the Grain: Heidegger and Musical AttunementErik Wallrup5 Modelling the Spread of MoodEdward M. Hill and Thomas House6 From ‘Hard Rock Hallelujah’ to ‘Ukonhauta’ in Nokialand- A Socionomic Perspective on the Mood Shift in Finland’s Popular Music from 2006 to 2009Mikko Ketovuori and Matt Lampert7 Translating Moods: Proust’s ‘Awkwardness’Yasmine Richardson8 ‘He wept for a way home’: The Stimmung of Odysseus’s NostosMadeleine Scherer9 Altering the Mood: Boredom and Anaesthesia in Itchy ParkJoshua Burraway10 Registering the Charge: Mood and Lawrence Durrell’s The Alexandria QuartetRex Ferguson11 Of Mood: A Sonic RepertoireMary CappelloIndex

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Birgit Breidenbach is a Lecturer in Literature and Philosophy at the University of East Anglia. After earning a B.A. at the University of Giessen and an M.A. at the University of Warwick, she completed a Ph.D. in English and Comparative Literary Studies at Warwick in 2017 with a thesis on the role of mood in the literature of European modernity. Her published and presented work focuses on literary and aesthetic theory, affect and the interplay between philosophy and literature.Thomas Docherty is Professor of English and of Comparative Literature in the University of Warwick. He is the author of many books, including, most recently, Literature and Capital (Bloomsbury, 2018); The New Treason of the Intellectuals (Manchester University Press, 2018); Complicity (Rowman & Littlefield, 2016); Universities at War (Sage, 2015); Confessions (Bloomsbury, 2012). Political English will appear from Bloomsbury in 2019. He is currently completing a study of Censorship, and a novel, provisionally titled Of Silence and Slow Time. In 2016, he was awarded an honorary degree, Doctor of Letters, from the University of Kent.

• List of FiguresList of ContributorsAcknowledgementsIntroductionBirgit Breidenbach and Thomas Docherty1 Changing MoodsHagi Kenaan2 The Composition of a MoodJon Arcaraz Puntonet3 The Varieties of Mood IntentionalityJonathan Mitchell4 Against the Grain: Heidegger and Musical AttunementErik Wallrup5 Modelling the Spread of MoodEdward M. Hill and Thomas House6 From ‘Hard Rock Hallelujah’ to ‘Ukonhauta’ in Nokialand- A Socionomic Perspective on the Mood Shift in Finland’s Popular Music from 2006 to 2009Mikko Ketovuori and Matt Lampert7 Translating Moods: Proust’s ‘Awkwardness’Yasmine Richardson8 ‘He wept for a way home’: The Stimmung of Odysseus’s NostosMadeleine Scherer9 Altering the Mood: Boredom and Anaesthesia in Itchy ParkJoshua Burraway10 Registering the Charge: Mood and Lawrence Durrell’s The Alexandria QuartetRex Ferguson11 Of Mood: A Sonic RepertoireMary CappelloIndex

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Birgit Breidenbach is a Lecturer in Literature and Philosophy at the University of East Anglia. After earning a B.A. at the University of Giessen and an M.A. at the University of Warwick, she completed a Ph.D. in English and Comparative Literary Studies at Warwick in 2017 with a thesis on the role of mood in the literature of European modernity. Her published and presented work focuses on literary and aesthetic theory, affect and the interplay between philosophy and literature.Thomas Docherty is Professor of English and of Comparative Literature in the University of Warwick. He is the author of many books, including, most recently, Literature and Capital (Bloomsbury, 2018); The New Treason of the Intellectuals (Manchester University Press, 2018); Complicity (Rowman & Littlefield, 2016); Universities at War (Sage, 2015); Confessions (Bloomsbury, 2012). Political English will appear from Bloomsbury in 2019. He is currently completing a study of Censorship, and a novel, provisionally titled Of Silence and Slow Time. In 2016, he was awarded an honorary degree, Doctor of Letters, from the University of Kent.

• List of FiguresList of ContributorsAcknowledgementsIntroductionBirgit Breidenbach and Thomas Docherty1 Changing MoodsHagi Kenaan2 The Composition of a MoodJon Arcaraz Puntonet3 The Varieties of Mood IntentionalityJonathan Mitchell4 Against the Grain: Heidegger and Musical AttunementErik Wallrup5 Modelling the Spread of MoodEdward M. Hill and Thomas House6 From ‘Hard Rock Hallelujah’ to ‘Ukonhauta’ in Nokialand- A Socionomic Perspective on the Mood Shift in Finland’s Popular Music from 2006 to 2009Mikko Ketovuori and Matt Lampert7 Translating Moods: Proust’s ‘Awkwardness’Yasmine Richardson8 ‘He wept for a way home’: The Stimmung of Odysseus’s NostosMadeleine Scherer9 Altering the Mood: Boredom and Anaesthesia in Itchy ParkJoshua Burraway10 Registering the Charge: Mood and Lawrence Durrell’s The Alexandria QuartetRex Ferguson11 Of Mood: A Sonic RepertoireMary CappelloIndex

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