Monstrous Intimacies

Christina Sharpe is Associate Professor of English and Director of American Studies at Tufts University.

• Acknowledgments ixIntroduction. Making Monstrous Intimacies: Surviving Slavery, Bearing Freedom 11. Gayl Jones's Corregidora and Reading the "Days That Were Pages of Hysteria" 272. Bessie Head, Saartje Baartman, and Maru Redemption, Subjectification, and the Problem of Liberation 673. Isaac Julien's The Attendant and the Sadomasochism of Everyday Black Life 1114. Kara Walker's Monstrous Intimacies 153Notes 189Bibliography 223Index 243

“Through compelling and intricate readings of visual and written texts, Sharpe is concerned with unpacking the intersection between violence, sex, and subjectivity in post-slavery subjects. Sharpe’s work is a poignant reflection on historical time and convincingly deals with the ways that the horrors of the past continue to structure the present. . . . Sharpe’s book is an eloquent and at times challenging analysis of the construction of post-slavery subjects as subjects who are by no means ‘post’ but continue to be structured by the past that is not quite past.” - Sam McBean, Elevate Difference “This is a bold, challenging book which is unrelenting in its interpretation of slavery and the effects it has had on subsequent generations, black and white. In effect, the monstrous intimacies continue.”- Danielle Mulholland, M/C Reviews “Sharpe’s Monstrous Intimacies succeeds in illuminating the complex entanglements of desire and horror at the heart of Black and White subjectification ‘after’ slavery. More profoundly, this text powerfully balances the fact of history’s monstrous persistence and the desire for what she identifies, after Dionne Brand, as a modality of Black life unhinged to historical narrative (129).” - Sarah Cervenak, Women’s Studies “The materials in Monstrous Intimacies register as being profoundly relevant not only for African American literature, but also for studies of the history of slavery in relation to the U.S. South. Moreover, her second chapter, focusing on the literature and culture of South Africa, addresses histories of racism, colonialism, and imperialism and speaks to discourses on the global South.” - RichÉ Richardson, Southern Literary Journal "Overall…Sharpe successfully demonstrates the presence of "monstrous intimacies" in each chapter. Most importantly, she creates a methodology for understanding the psychological development of post-slavery subjects and the seductive story-telling that represents his or her experience." - Denia Fraser, Kritikon Litterarum “Monstrous Intimacies is a remarkable study, lucid, engaging, and thoroughly engrossing.”-Sharon Patricia Holland, author of Raising the Dead: Readings of Death and (Black) Subjectivity “Monstrous Intimacies is an original, enriching look at the variety of artistic forms and practices that interrogate the illness of the post-slavery subject. It is international in its scope, interdisciplinary in its approach, and consistently intelligent in its execution.”-Ashraf Rushdy, author of Remembering Generations: Race and Family in Contemporary African American Fiction “Sharpe’s Monstrous Intimacies succeeds in illuminating the complex entanglements of desire and horror at the heart of Black and White subjectification ‘after’ slavery. More profoundly, this text powerfully balances the fact of history’s monstrous persistence and the desire for what she identifies, after Dionne Brand, as a modality of Black life unhinged to historical narrative (129).” - Sarah Cervenak (Women's Studies) “This is a bold, challenging book which is unrelenting in its interpretation of slavery and the effects it has had on subsequent generations, black and white. In effect, the monstrous intimacies continue.”- Danielle Mulholland (M/C Reviews) “Through compelling and intricate readings of visual and written texts, Sharpe is concerned with unpacking the intersection between violence, sex, and subjectivity in post-slavery subjects. Sharpe’s work is a poignant reflection on historical time and convincingly deals with the ways that the horrors of the past continue to structure the present. . . . Sharpe’s book is an eloquent and at times challenging analysis of the construction of post-slavery subjects as subjects who are by no means ‘post’ but continue to be structured by the past that is not quite past.” - Sam McBean (Elevate Difference)