Macduff Everton is a contributing editor at National Geographic Traveler and Islands magazines. His many editorial clients include CondÉ Nast Traveler, Gourmet, Life, LA Times Magazine, New York Times Magazine, Outside, Smithsonian, and Town & Country. His work is in the collections of many public and private institutions, including the BibliothÈque Nationale, Paris; British Museum, London; International Center of Photography and Museum of Modern Art, New York; Los Angeles County Museum of Art; MusÈe de L'ElysÈe, Lausanne, Switzerland; and Museo de Arte Moderno, Mexico City.

• Foreword: Macduff Everton’s YucatÁn by Carter WilsonAcknowledgmentsA Short History and the Legacy of the Maya Forest: An account of the ancient Maya and the collapse, or perhaps the slow crumble; in the field with archaeologists Anabel Ford and Scott Fedick, who find evidence that there wasn’t an environmental catastrophe, and the legacy of the Maya Forest, a feral forest gardenIntroduction: An account of the modern Maya: incidents of travel and friendship in YucatÁn and how I met Charles Demangeat and Hilario Hiler; this book project now extends over four decades and includes important chapters in the lives of the MayaI. The Milpa: An account of Dario Tuz Caamal, a Maya farmer, and his wife, Herculana Chi Pech; the Maya practice of growing vegetables, herbs, fruits, and hardwoods at their farm and home garden and agricultural traditions and ceremonies thousands of years oldII. The Milpa and CancÚn: The continuing account of Dario Tuz Caamal and Herculana Chi Pech: his release from prison and finding work in CancÚn; the immediate effects of NAFTA on the subsistence farmer in Mexico and the rising rate of depression and suicide in YucatÁnIII. Chicleros: A Season in the Jungle: An account of Diego JimÉnez Chi and Cornelio Castro Salazar, chicleros, who lived in the jungle along with their wives and children during the rainy season to bleed the chicozapote tree for the resin used to make chewing gum, and what happened when gum manufacturers supplanted the resin with petroleum productsIV. DoÑa Veva and Alicia: Two Generations of Women: An account of Genoveva MartÍn Kumul and her daughter Alicia and how Alicia grew from a girl in a jungle chiclero camp to becoming a bilingual teacher, as well as her marriage and children, and the effects of the Evangelical movement in Maya townsV. Xocen: The Saintly Cross of the Center of the Earth: An account of the miraculous Saintly Cross of the Center of the Earth, the Caste War of YucatÁn, and the Santa Cruz Maya; we attend religious celebrations in Xocen, talk with a Maya priest, and visit our friend Celso Dzib Ay and his wife, MarÍa Equilia May TunVI. The Santa Cruz Maya: An account of how Pablo Canche Balam and Marcelino Poot Ek introduced us to the sacred villages, talking crosses, fiestas, and celebrations of the Santa Cruz Maya; we witness the onslaught of development and tourism in their traditional lands and find a Talking CrossVII. Cowboys: Corn to Cattle to Corn: An account of Eleuterio Noh Ceh, a corn farmer who became a cowboy and then returned to corn farming, whose children abandoned farming to find work in maquiladoras, making Maidenform bras and Jordache jeans, until the manufacturers found cheaper labor elsewhereVIII. Henequen: The Dangers of a Monoculture: An account of JesÚs LÓpez MartÍnez, a henequen worker, and the henequen industry, which failed to remain competitive in a world economy, and the consequences of a monocropEpilogueGlossarySuggested ReadingIndex

Engagingly written and outstandingly illustrated . . . Everton displays his outstanding eye for the social setting, his infallible ability to capture the architecture-ancient and modern-and his uncanny ability to build the contrast that only a lifetime can reveal . . . At once a beautiful photographic tome as well as a vivid account of the Maya and critique of globalization and a culture in transition, Everton’s sharp observational skills draw you into a story that is framed by his extraordinary visual images. (Rezensionen)

Macduff Everton is a contributing editor at National Geographic Traveler and Islands magazines. His many editorial clients include CondÉ Nast Traveler, Gourmet, Life, LA Times Magazine, New York Times Magazine, Outside, Smithsonian, and Town & Country. His work is in the collections of many public and private institutions, including the BibliothÈque Nationale, Paris; British Museum, London; International Center of Photography and Museum of Modern Art, New York; Los Angeles County Museum of Art; MusÈe de L'ElysÈe, Lausanne, Switzerland; and Museo de Arte Moderno, Mexico City.

• Foreword: Macduff Everton’s YucatÁn by Carter WilsonAcknowledgmentsA Short History and the Legacy of the Maya Forest: An account of the ancient Maya and the collapse, or perhaps the slow crumble; in the field with archaeologists Anabel Ford and Scott Fedick, who find evidence that there wasn’t an environmental catastrophe, and the legacy of the Maya Forest, a feral forest gardenIntroduction: An account of the modern Maya: incidents of travel and friendship in YucatÁn and how I met Charles Demangeat and Hilario Hiler; this book project now extends over four decades and includes important chapters in the lives of the MayaI. The Milpa: An account of Dario Tuz Caamal, a Maya farmer, and his wife, Herculana Chi Pech; the Maya practice of growing vegetables, herbs, fruits, and hardwoods at their farm and home garden and agricultural traditions and ceremonies thousands of years oldII. The Milpa and CancÚn: The continuing account of Dario Tuz Caamal and Herculana Chi Pech: his release from prison and finding work in CancÚn; the immediate effects of NAFTA on the subsistence farmer in Mexico and the rising rate of depression and suicide in YucatÁnIII. Chicleros: A Season in the Jungle: An account of Diego JimÉnez Chi and Cornelio Castro Salazar, chicleros, who lived in the jungle along with their wives and children during the rainy season to bleed the chicozapote tree for the resin used to make chewing gum, and what happened when gum manufacturers supplanted the resin with petroleum productsIV. DoÑa Veva and Alicia: Two Generations of Women: An account of Genoveva MartÍn Kumul and her daughter Alicia and how Alicia grew from a girl in a jungle chiclero camp to becoming a bilingual teacher, as well as her marriage and children, and the effects of the Evangelical movement in Maya townsV. Xocen: The Saintly Cross of the Center of the Earth: An account of the miraculous Saintly Cross of the Center of the Earth, the Caste War of YucatÁn, and the Santa Cruz Maya; we attend religious celebrations in Xocen, talk with a Maya priest, and visit our friend Celso Dzib Ay and his wife, MarÍa Equilia May TunVI. The Santa Cruz Maya: An account of how Pablo Canche Balam and Marcelino Poot Ek introduced us to the sacred villages, talking crosses, fiestas, and celebrations of the Santa Cruz Maya; we witness the onslaught of development and tourism in their traditional lands and find a Talking CrossVII. Cowboys: Corn to Cattle to Corn: An account of Eleuterio Noh Ceh, a corn farmer who became a cowboy and then returned to corn farming, whose children abandoned farming to find work in maquiladoras, making Maidenform bras and Jordache jeans, until the manufacturers found cheaper labor elsewhereVIII. Henequen: The Dangers of a Monoculture: An account of JesÚs LÓpez MartÍnez, a henequen worker, and the henequen industry, which failed to remain competitive in a world economy, and the consequences of a monocropEpilogueGlossarySuggested ReadingIndex

Engagingly written and outstandingly illustrated . . . Everton displays his outstanding eye for the social setting, his infallible ability to capture the architecture-ancient and modern-and his uncanny ability to build the contrast that only a lifetime can reveal . . . At once a beautiful photographic tome as well as a vivid account of the Maya and critique of globalization and a culture in transition, Everton’s sharp observational skills draw you into a story that is framed by his extraordinary visual images. (Rezensionen)

Macduff Everton is a contributing editor at National Geographic Traveler and Islands magazines. His many editorial clients include CondÉ Nast Traveler, Gourmet, Life, LA Times Magazine, New York Times Magazine, Outside, Smithsonian, and Town & Country. His work is in the collections of many public and private institutions, including the BibliothÈque Nationale, Paris; British Museum, London; International Center of Photography and Museum of Modern Art, New York; Los Angeles County Museum of Art; MusÈe de L'ElysÈe, Lausanne, Switzerland; and Museo de Arte Moderno, Mexico City.

• Foreword: Macduff Everton’s YucatÁn by Carter WilsonAcknowledgmentsA Short History and the Legacy of the Maya Forest: An account of the ancient Maya and the collapse, or perhaps the slow crumble; in the field with archaeologists Anabel Ford and Scott Fedick, who find evidence that there wasn’t an environmental catastrophe, and the legacy of the Maya Forest, a feral forest gardenIntroduction: An account of the modern Maya: incidents of travel and friendship in YucatÁn and how I met Charles Demangeat and Hilario Hiler; this book project now extends over four decades and includes important chapters in the lives of the MayaI. The Milpa: An account of Dario Tuz Caamal, a Maya farmer, and his wife, Herculana Chi Pech; the Maya practice of growing vegetables, herbs, fruits, and hardwoods at their farm and home garden and agricultural traditions and ceremonies thousands of years oldII. The Milpa and CancÚn: The continuing account of Dario Tuz Caamal and Herculana Chi Pech: his release from prison and finding work in CancÚn; the immediate effects of NAFTA on the subsistence farmer in Mexico and the rising rate of depression and suicide in YucatÁnIII. Chicleros: A Season in the Jungle: An account of Diego JimÉnez Chi and Cornelio Castro Salazar, chicleros, who lived in the jungle along with their wives and children during the rainy season to bleed the chicozapote tree for the resin used to make chewing gum, and what happened when gum manufacturers supplanted the resin with petroleum productsIV. DoÑa Veva and Alicia: Two Generations of Women: An account of Genoveva MartÍn Kumul and her daughter Alicia and how Alicia grew from a girl in a jungle chiclero camp to becoming a bilingual teacher, as well as her marriage and children, and the effects of the Evangelical movement in Maya townsV. Xocen: The Saintly Cross of the Center of the Earth: An account of the miraculous Saintly Cross of the Center of the Earth, the Caste War of YucatÁn, and the Santa Cruz Maya; we attend religious celebrations in Xocen, talk with a Maya priest, and visit our friend Celso Dzib Ay and his wife, MarÍa Equilia May TunVI. The Santa Cruz Maya: An account of how Pablo Canche Balam and Marcelino Poot Ek introduced us to the sacred villages, talking crosses, fiestas, and celebrations of the Santa Cruz Maya; we witness the onslaught of development and tourism in their traditional lands and find a Talking CrossVII. Cowboys: Corn to Cattle to Corn: An account of Eleuterio Noh Ceh, a corn farmer who became a cowboy and then returned to corn farming, whose children abandoned farming to find work in maquiladoras, making Maidenform bras and Jordache jeans, until the manufacturers found cheaper labor elsewhereVIII. Henequen: The Dangers of a Monoculture: An account of JesÚs LÓpez MartÍnez, a henequen worker, and the henequen industry, which failed to remain competitive in a world economy, and the consequences of a monocropEpilogueGlossarySuggested ReadingIndex

Engagingly written and outstandingly illustrated . . . Everton displays his outstanding eye for the social setting, his infallible ability to capture the architecture-ancient and modern-and his uncanny ability to build the contrast that only a lifetime can reveal . . . At once a beautiful photographic tome as well as a vivid account of the Maya and critique of globalization and a culture in transition, Everton’s sharp observational skills draw you into a story that is framed by his extraordinary visual images. (Rezensionen)