Modern in the Making

Austin Porter is Assistant Professor of Art History and American Studies at Kenyon College, USA.Sandra Zalman is Associate Professor and Program Director of Art History at the University of Houston, USA.

• IntroductionEstablishing the Modern: MoMA and the Modern Experiment, Austin Porter (Kenyon College, USA) and Sandra Zalman (University of Houston, USA)Part I: Vernacular InfluencesChapter 1: Folk Surrealism, Marci Kwon (Stanford University, USA)Chapter 2: New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA, Jennifer Padgett (Crystal Bridges Museum of American Art, USA)Chapter 3: MoMA’s Child Artists, John Blakinger (University of Southern California, USA)Chapter 4: “Floor, Ceiling, Wall, Garden Market: The Curatorial Scene of Twenty Centuries of Mexican Art, Andy Campbell (University of Southern California, USA)Part II: New Mediums for a New Museum: Photography, Dance, Architecture and DesignChapter 5: Aesthetic versus the “Mere Historic”: Civil War and Frontier Photography at MoMA, Sarah Kate Gillespie (Gettysburg College, USA)Chapter 6: An Exact Instant in the History of the Modern, Jason Hill (University of Delaware, USA)Chapter 7: Performance and the Dance Archives at the Museum of Modern Art, Swagato Chakravorty (Yale University, USA)Chapter 8: Architecture on Display: Breuer’s House in the Museum Garden, Catarina Schlee Flaksman (Independent Scholar)Part III: Mobilizing ModernismChapter 9: Reproducing Art and the Museum: Ancestral Sources in and beyond the Museum of Modern Art, Rachel Kaplan (Los Angeles County Museum of Art, USA)Chapter 10: The ‘Great Gallery’ Goes to New York: Ancient American Rock Art, MOMA, and the New York Avant-Garde, James Farmer (Virginia Commonwealth University, USA)Chapter 11: “Toward a Happier and More Successful Life,” or When Veterans Made, Art in the Modern Museum, Suzanne Hudson (University of Southern California, USA)Part IV: MoMA’s Global VisionChapter 12: Occidental Arrangements: MoMA’s Emerging Global History of Art at Midcentury, John Ott (James Madison University, USA)Chapter 13: Exhibiting Italian Democracy in Twentieth Century Italian Art at the Museum of Modern Art, Antje Gamble (Murray State University, USA)Chapter 14: American Exceptionalism at the Modern, 1942-1959: Dorothy Miller’s Americans, Angela Miller (Washington University, USA)Index

For those accustomed to thinking of the history of MoMA in terms of Alfred Barr’s canon-setting chart, this collection is an eye opener, exploring the wide range of early MoMA exhibitions in such domains as popular culture, design, performance, and rock art. An important contribution to the ongoing work of producing a critical history of museums.