Nanno Marinatos is a professor of classics at the University of Illinois, Chicago.

"An exhilarating book, breezily written with a hands-on approach to the material."--Journal of Ancient Egyptian Interconnections   "A well-written and richly informed work, which forcefully reasserts the validity of the ways eminent scholars, going back to the early work of Sir Arthur Evans more than a century ago, thought. In many ways it is a tour de force of scholarship, embodying new insights and illuminating points of detail."--Times Literary Supplement, Colin Renfrew "A multifaceted, innovative work that freshly interprets many aspects of the Minoan religious symbol system. Without a doubt, this book will stimulate extensive scholarly discussion."--Thomas Staubli, coauthor of Body Symbolism in the Bible "A radical and provocative view of Minoan art, religion, and society. Marinatos provides new readings of numerous Minoan artifacts, offering solutions to many puzzles and placing the imagery within a semantic system of sacral kingship and cosmology."--Kenneth D. S. Lapatin, author of Mysteries of the Snake Goddess: Art, Desire, and the Forging of History

Nanno Marinatos is a professor of classics at the University of Illinois, Chicago.

"An exhilarating book, breezily written with a hands-on approach to the material."--Journal of Ancient Egyptian Interconnections   "A well-written and richly informed work, which forcefully reasserts the validity of the ways eminent scholars, going back to the early work of Sir Arthur Evans more than a century ago, thought. In many ways it is a tour de force of scholarship, embodying new insights and illuminating points of detail."--Times Literary Supplement, Colin Renfrew "A multifaceted, innovative work that freshly interprets many aspects of the Minoan religious symbol system. Without a doubt, this book will stimulate extensive scholarly discussion."--Thomas Staubli, coauthor of Body Symbolism in the Bible "A radical and provocative view of Minoan art, religion, and society. Marinatos provides new readings of numerous Minoan artifacts, offering solutions to many puzzles and placing the imagery within a semantic system of sacral kingship and cosmology."--Kenneth D. S. Lapatin, author of Mysteries of the Snake Goddess: Art, Desire, and the Forging of History

Nanno Marinatos is a professor of classics at the University of Illinois, Chicago.

"An exhilarating book, breezily written with a hands-on approach to the material."--Journal of Ancient Egyptian Interconnections   "A well-written and richly informed work, which forcefully reasserts the validity of the ways eminent scholars, going back to the early work of Sir Arthur Evans more than a century ago, thought. In many ways it is a tour de force of scholarship, embodying new insights and illuminating points of detail."--Times Literary Supplement, Colin Renfrew "A multifaceted, innovative work that freshly interprets many aspects of the Minoan religious symbol system. Without a doubt, this book will stimulate extensive scholarly discussion."--Thomas Staubli, coauthor of Body Symbolism in the Bible "A radical and provocative view of Minoan art, religion, and society. Marinatos provides new readings of numerous Minoan artifacts, offering solutions to many puzzles and placing the imagery within a semantic system of sacral kingship and cosmology."--Kenneth D. S. Lapatin, author of Mysteries of the Snake Goddess: Art, Desire, and the Forging of History