JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. Christiania Whitehead is Privat Docent and senior research fellow at the University of Lausanne, Switzerland ANNIE SUTHERLAND is Associate Professor, University of Oxford, and Tutorial Fellow in Old and Middle English, Somerville College. HETTA ELIZABETH HOWES is a Lecturer in Medieval Literature at City, University of London and a BBC/AHRC New Generation Thinker. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. SUSANNA FEIN is Professor Emerita of English at Kent State University. Christiania Whitehead is Privat Docent and senior research fellow at the University of Lausanne, Switzerland

• IntroductionEditing Issues in Middle English Lyrics - Thomas G. DuncanMoving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings - Ayoush LazikaniBlood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge - Daniel McCannTextual and Affective Stability in All Other Love is Like the Moon - Michael KuczynskiThe Unlikely Landscapes of On God Ureisun of Ure Lefdi - Annie Sutherland'Adreynt in shennesse': Blood, Shame and Contrition in Quis est iste qui uenit de Edom? - Hetta Elizabeth HowesIhesus Woundes so Wide and the Fons Vitae: Text, Image and the Manuscript Context - Natalie Jones'Written in Gold upon a Purple Stain': Mariological Rhetoric and the Material Culture of Aureate Diction - Anne Marie D'ArcyTextual Lyricism in Lydgate's Fifteen Joys and Sorrows of Our Lady - Mary WellesleyVoice and Response: Lyric Rewriting of The Song of Songs - Anne Baden-DaintreeCompiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey'Short song is good in ale': Charles d'Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam's Children: The Early Middle English Lyric in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay's Writing - Jane Griffiths'The Dance of the Intellect among Words': Wyatt's In Eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliography

This is a very recommendable, stimulating and thought-provoking volume which will certainly inspire more research into this fascinating and challenging body of text.

JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. Christiania Whitehead is Privat Docent and senior research fellow at the University of Lausanne, Switzerland ANNIE SUTHERLAND is Associate Professor, University of Oxford, and Tutorial Fellow in Old and Middle English, Somerville College. HETTA ELIZABETH HOWES is a Lecturer in Medieval Literature at City, University of London and a BBC/AHRC New Generation Thinker. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. SUSANNA FEIN is Professor Emerita of English at Kent State University. Christiania Whitehead is Privat Docent and senior research fellow at the University of Lausanne, Switzerland

• IntroductionEditing Issues in Middle English Lyrics - Thomas G. DuncanMoving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings - Ayoush LazikaniBlood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge - Daniel McCannTextual and Affective Stability in All Other Love is Like the Moon - Michael KuczynskiThe Unlikely Landscapes of On God Ureisun of Ure Lefdi - Annie Sutherland'Adreynt in shennesse': Blood, Shame and Contrition in Quis est iste qui uenit de Edom? - Hetta Elizabeth HowesIhesus Woundes so Wide and the Fons Vitae: Text, Image and the Manuscript Context - Natalie Jones'Written in Gold upon a Purple Stain': Mariological Rhetoric and the Material Culture of Aureate Diction - Anne Marie D'ArcyTextual Lyricism in Lydgate's Fifteen Joys and Sorrows of Our Lady - Mary WellesleyVoice and Response: Lyric Rewriting of The Song of Songs - Anne Baden-DaintreeCompiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey'Short song is good in ale': Charles d'Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam's Children: The Early Middle English Lyric in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay's Writing - Jane Griffiths'The Dance of the Intellect among Words': Wyatt's In Eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliography

This is a very recommendable, stimulating and thought-provoking volume which will certainly inspire more research into this fascinating and challenging body of text.

JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. Christiania Whitehead is Privat Docent and senior research fellow at the University of Lausanne, Switzerland ANNIE SUTHERLAND is Associate Professor, University of Oxford, and Tutorial Fellow in Old and Middle English, Somerville College. HETTA ELIZABETH HOWES is a Lecturer in Medieval Literature at City, University of London and a BBC/AHRC New Generation Thinker. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. SUSANNA FEIN is Professor Emerita of English at Kent State University. Christiania Whitehead is Privat Docent and senior research fellow at the University of Lausanne, Switzerland

• IntroductionEditing Issues in Middle English Lyrics - Thomas G. DuncanMoving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings - Ayoush LazikaniBlood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge - Daniel McCannTextual and Affective Stability in All Other Love is Like the Moon - Michael KuczynskiThe Unlikely Landscapes of On God Ureisun of Ure Lefdi - Annie Sutherland'Adreynt in shennesse': Blood, Shame and Contrition in Quis est iste qui uenit de Edom? - Hetta Elizabeth HowesIhesus Woundes so Wide and the Fons Vitae: Text, Image and the Manuscript Context - Natalie Jones'Written in Gold upon a Purple Stain': Mariological Rhetoric and the Material Culture of Aureate Diction - Anne Marie D'ArcyTextual Lyricism in Lydgate's Fifteen Joys and Sorrows of Our Lady - Mary WellesleyVoice and Response: Lyric Rewriting of The Song of Songs - Anne Baden-DaintreeCompiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey'Short song is good in ale': Charles d'Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam's Children: The Early Middle English Lyric in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay's Writing - Jane Griffiths'The Dance of the Intellect among Words': Wyatt's In Eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliography

This is a very recommendable, stimulating and thought-provoking volume which will certainly inspire more research into this fascinating and challenging body of text.