Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University, where he also chairs the Department of German, Russian, and East European Studies and directs the joint PhD program in Comparative Media Analysis and Practice. His books include On Slowness: Toward an Aesthetic of the Contemporary and The Dark Mirror: German Cinema between Hitler and Hollywood.

"Compelling. The brilliance of this new book lies in the way that it grasps Bay's cinema not as the diametrical opposite, but rather as the dialectical counterpart, of 'slow cinema.' Exemplary in the way that it takes full measure of its subject without naive enthusiasm, but also without critical condescension."--Steven Shaviro, author of Post Cinematic Affect "This book is for everyone who loved the film classes they took in college, then watched Transformers: Revenge of the Fallen and thought 'I give up.' Lutz Koepnick’s study of Michael Bay is a clear-eyed assessment of the oeuvre of Hollywood's hyperkinetic trash-virtuoso, but it is also a joyful demonstration of what film criticism and film theory can accomplish when they don't capitulate before the new cinema of confetti-cuts and incessant franchise service. The thinking person's guide to Bayhem."--Adrian Daub, coauthor of The James Bond Songs: Pop Anthems of Late Capitalism

Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University, where he also chairs the Department of German, Russian, and East European Studies and directs the joint PhD program in Comparative Media Analysis and Practice. His books include On Slowness: Toward an Aesthetic of the Contemporary and The Dark Mirror: German Cinema between Hitler and Hollywood.

"Compelling. The brilliance of this new book lies in the way that it grasps Bay's cinema not as the diametrical opposite, but rather as the dialectical counterpart, of 'slow cinema.' Exemplary in the way that it takes full measure of its subject without naive enthusiasm, but also without critical condescension."--Steven Shaviro, author of Post Cinematic Affect "This book is for everyone who loved the film classes they took in college, then watched Transformers: Revenge of the Fallen and thought 'I give up.' Lutz Koepnick’s study of Michael Bay is a clear-eyed assessment of the oeuvre of Hollywood's hyperkinetic trash-virtuoso, but it is also a joyful demonstration of what film criticism and film theory can accomplish when they don't capitulate before the new cinema of confetti-cuts and incessant franchise service. The thinking person's guide to Bayhem."--Adrian Daub, coauthor of The James Bond Songs: Pop Anthems of Late Capitalism

Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University, where he also chairs the Department of German, Russian, and East European Studies and directs the joint PhD program in Comparative Media Analysis and Practice. His books include On Slowness: Toward an Aesthetic of the Contemporary and The Dark Mirror: German Cinema between Hitler and Hollywood.

"Compelling. The brilliance of this new book lies in the way that it grasps Bay's cinema not as the diametrical opposite, but rather as the dialectical counterpart, of 'slow cinema.' Exemplary in the way that it takes full measure of its subject without naive enthusiasm, but also without critical condescension."--Steven Shaviro, author of Post Cinematic Affect "This book is for everyone who loved the film classes they took in college, then watched Transformers: Revenge of the Fallen and thought 'I give up.' Lutz Koepnick’s study of Michael Bay is a clear-eyed assessment of the oeuvre of Hollywood's hyperkinetic trash-virtuoso, but it is also a joyful demonstration of what film criticism and film theory can accomplish when they don't capitulate before the new cinema of confetti-cuts and incessant franchise service. The thinking person's guide to Bayhem."--Adrian Daub, coauthor of The James Bond Songs: Pop Anthems of Late Capitalism