Amaranta Saguar García graduated in Spanish Philology from the Universidad Complutense de Madrid and holds an MSt and a DPhil in Medieval and Modern Languages from the University of Oxford. She has developed her career as a scholar of Hispanic medieval literature and metal music in Germany, France, and Spain.

• List of FiguresIntroductionChapter 1: Medievalizing Epicity and Heavy MetalChapter 2: Implications of Metal Epicity Chapter 3: Hispanic Medieval Epic ThemesChapter 4: Types of Metal EpicismConclusion Appendix 1: Non-Instrumental Songs on Hispanic Medieval Epic ThemesAppendix 2: Non-Instrumental Songs on Al-AndalusDiscography ReferencesIndex

Amaranta Saguar García graduated in Spanish Philology from the Universidad Complutense de Madrid and holds an MSt and a DPhil in Medieval and Modern Languages from the University of Oxford. She has developed her career as a scholar of Hispanic medieval literature and metal music in Germany, France, and Spain.

• List of FiguresIntroductionChapter 1: Medievalizing Epicity and Heavy MetalChapter 2: Implications of Metal Epicity Chapter 3: Hispanic Medieval Epic ThemesChapter 4: Types of Metal EpicismConclusion Appendix 1: Non-Instrumental Songs on Hispanic Medieval Epic ThemesAppendix 2: Non-Instrumental Songs on Al-AndalusDiscography ReferencesIndex

Amaranta Saguar García graduated in Spanish Philology from the Universidad Complutense de Madrid and holds an MSt and a DPhil in Medieval and Modern Languages from the University of Oxford. She has developed her career as a scholar of Hispanic medieval literature and metal music in Germany, France, and Spain.

• List of FiguresIntroductionChapter 1: Medievalizing Epicity and Heavy MetalChapter 2: Implications of Metal Epicity Chapter 3: Hispanic Medieval Epic ThemesChapter 4: Types of Metal EpicismConclusion Appendix 1: Non-Instrumental Songs on Hispanic Medieval Epic ThemesAppendix 2: Non-Instrumental Songs on Al-AndalusDiscography ReferencesIndex