Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. CORDELIA WARR is Professor of Medieval and Renaissance Art at the University of Manchester, UK. She has published on a variety of topics including medieval and early-modern religious clothing in Italy, art in Naples, as well as miraculous wounds. SARAH-GRACE HELLER is Associate Professor and Chair of French and Italian at the Ohio State University.

• Production, Quality, and Social Status in Viking Age Dress: Three Cases from Western Norway - Ingvild OyeThe Effect of Spindle Whorl Design on Wool Thread Production: A Practical Experiment Based on Examples from Eighth-Century Denmark - Karen NicholsonThe Shirt Attributed to St. Louis - Tina AnderliniAngevin-Sicilian Sumptuary Statutes of the 1290s: Fashion in the Thirteenth-Century Mediterranean - Sarah-Grace HellerThe Devil on My Tail: Clothing and Visual Culture in the Camposanto Last Judgment - Cordelia Warr"Transposing þe shapus þat God first mad them of": Manipulated Masculinity in the Galaunt Tradition - Emily J. RozierTextiles and Dress in the Household Papers of Lady Margaret Beaufort (1443-1509), Mother of King Henry VII - Susan Powell"Like two artificial gods": Needlework and Female Bonding in A Midsummer Night's Dream - Anna Riehl Bertolet

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Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. CORDELIA WARR is Professor of Medieval and Renaissance Art at the University of Manchester, UK. She has published on a variety of topics including medieval and early-modern religious clothing in Italy, art in Naples, as well as miraculous wounds. SARAH-GRACE HELLER is Associate Professor and Chair of French and Italian at the Ohio State University.

• Production, Quality, and Social Status in Viking Age Dress: Three Cases from Western Norway - Ingvild OyeThe Effect of Spindle Whorl Design on Wool Thread Production: A Practical Experiment Based on Examples from Eighth-Century Denmark - Karen NicholsonThe Shirt Attributed to St. Louis - Tina AnderliniAngevin-Sicilian Sumptuary Statutes of the 1290s: Fashion in the Thirteenth-Century Mediterranean - Sarah-Grace HellerThe Devil on My Tail: Clothing and Visual Culture in the Camposanto Last Judgment - Cordelia Warr"Transposing þe shapus þat God first mad them of": Manipulated Masculinity in the Galaunt Tradition - Emily J. RozierTextiles and Dress in the Household Papers of Lady Margaret Beaufort (1443-1509), Mother of King Henry VII - Susan Powell"Like two artificial gods": Needlework and Female Bonding in A Midsummer Night's Dream - Anna Riehl Bertolet

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Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. CORDELIA WARR is Professor of Medieval and Renaissance Art at the University of Manchester, UK. She has published on a variety of topics including medieval and early-modern religious clothing in Italy, art in Naples, as well as miraculous wounds. SARAH-GRACE HELLER is Associate Professor and Chair of French and Italian at the Ohio State University.

• Production, Quality, and Social Status in Viking Age Dress: Three Cases from Western Norway - Ingvild OyeThe Effect of Spindle Whorl Design on Wool Thread Production: A Practical Experiment Based on Examples from Eighth-Century Denmark - Karen NicholsonThe Shirt Attributed to St. Louis - Tina AnderliniAngevin-Sicilian Sumptuary Statutes of the 1290s: Fashion in the Thirteenth-Century Mediterranean - Sarah-Grace HellerThe Devil on My Tail: Clothing and Visual Culture in the Camposanto Last Judgment - Cordelia Warr"Transposing þe shapus þat God first mad them of": Manipulated Masculinity in the Galaunt Tradition - Emily J. RozierTextiles and Dress in the Household Papers of Lady Margaret Beaufort (1443-1509), Mother of King Henry VII - Susan Powell"Like two artificial gods": Needlework and Female Bonding in A Midsummer Night's Dream - Anna Riehl Bertolet

Select Guide Rating