Media and Society offers a critical exploration of how digital platforms and participatory and algorithmic cultures shape power and identity today. This third edition delves into key issues such as the interplay between user generated content and algorithmic processing, the rise of creator cultures, and the dynamic role automation plays in media industries and cultures.

In this new edition you will find:

A deep dive into the ongoing development of digital platforms, exploring platform capitalisms beyond Silicon Valley;
A detailed exploration of how social media and their promotional and creator cultures work and represent the social world;
Insights into how media are a critical site where identities are constructed, negotiated and resisted;

Updated case studies on topics ranging across livestreamers, shadowbanning, automated advertising, beauty filters and more.

For media and communications students to those seeking critical media literacy, this book is essential reading.

Produktinformation

Utgivningsdatum2025-11-21
Mått170 x 242 x 26 mm
Vikt800 g
FormatInbunden
SpråkEngelska
Antal sidor392
Upplaga3
FörlagSAGE Publications
ISBN9781529669848

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Nicholas Carah is Director of the Centre for Digital Cultures & Societies and Professor in the School of Communication and Arts at The University of Queensland. He is also an Associate Investigator in the ARC Centre of Excellence for Automated Decision-Making and Society and leads the UQ node of the Australian Internet Observatory. Nicholas is a UQ Teaching Fellow (2018–2019) and has been awarded the Faculty of Humanities and Social Sciences Award for Teaching Excellence (2019) and The University of Queensland Award for Teaching Excellence (2020).Nicholas’ research has been published in Media, Culture & Society, Cultural Studies, Social Media & Society, New Media & Society, Television & New Media, Convergence, Consumption, Markets & Culture and Mobile Media & Communication. He is the author of Brand Machines, Sensory Media and Calculative Culture (2016), Media and Society: Production, Content and Participation (2015) and Pop Brands: Branding, Popular Music and Young People (2010). He is the co-editor of Digital Intimate Publics and Social Media (2018) and Conflict in my Outlook (2022).Sungyong Ahn is a Lecturer in Digital Media and Cultures in the School of Communication and Arts at The University of Queensland. Sungyong’s research investigates smart technologies and ontological issues their users encounter in the worlds where humans are less smart than machines. He has published in Big Data and Society, Journal of Cultural Economy, Technology in Society, International Journal of Communication, Communication and Critical/Cultural Studies, Postmodern Culture, and other journals on media and technologies. He is the author of Internet-ontologies-Things: Smart Objects, Hidden Problems, and their Symmetries (2023).Amy Shields Dobson convenes the Digital and Social Media program at Curtin University and is Associate Professor in the School of Media, Creative Arts and Social Inquiry. Amy also leads the Digital Intimacies research stream in Curtin’s Centre for Culture and Technology (CCAT). They are an expert across gender and feminism, gendered subjectivities, youth, and social media. Amy has published widely on youth sexting, gendered representations in contemporary popular media and digital cultures, and contemporary feminine subjectivities. They are the author of Postfeminist Digital Cultures (2015), and editor of Digital Intimate Publics and Social Media with Nicholas Carah and Brady Robards (2018). Amy’s recent research projects include work on young people’s responses to #MeToo and gender violence awareness; facial image editing apps, body image, and selfies in youth cultures; and below-the-line youth-targeted alcohol and nightlife marketing on social media.

Chapter 1: Media, Meaning and PowerChapter 2: The Industrial Production of Meaning MakingChapter 3: Platform MediaChapter 4: Social Media, Short Video Streaming and LogisticsChapter 5: Making and Managing AudiencesChapter 6: Participatory and Algorithmic CultureChapter 7: Algorithmic ImaginariesChapter 8: RepresentationChapter 9: Digital Identities and IntimaciesChapter 10: Creator CulturesChapter 11: Advertising and Promotional CulturesChapter 12: News and Strategic CommunicationChapter 13: Media WorkersChapter 14: Automation, Representation and Power