Andrew Hemingway is Professor of History of Art at University College London. He is the editor of Marxism and the History of Art (Pluto, 2006) and author of Artists on the Left: American Artists and the Communist Movement, 1926-56 (2002).

• Preface1. Introduction: Marxism and Art History after the New Left by Andrew Hemingway2. William Morris: Decoration and Materialism by Caroline Arscott 3. Mikhail Lifshits: A Marxist Conservative by Stanley Mitchell4. Frederick Antal by Paul Stirton5. Art as Social Consciousness: Francis Klingender and British Art by David Bindman6. Max Raphael: Aesthetics and Politics by Stanley Mitchell7. Walter Benjamin’s Essay on Eduard Fuchs: An Art-Historical Perspective by Frederic J. Schwartz8. Meyer Schapiro: Marxism, Science and Art by Andrew Hemingway9. Henri Lefebvre and the Moment of the Aesthetic by Marc Léger10. Arnold Hauser, Adorno, Lukács and the Ideal Spectator by John Roberts11. New Left Art History and Fascism in Germany by Jutta Held 12. The Turn from Marx to Warburg in West German Art History, 1968-90 by Otto Karl WerckmeisterIndex

'No other book has ever attempted this ambitious project with such care and intelligence'

Andrew Hemingway is Professor of History of Art at University College London. He is the editor of Marxism and the History of Art (Pluto, 2006) and author of Artists on the Left: American Artists and the Communist Movement, 1926-56 (2002).

• Preface1. Introduction: Marxism and Art History after the New Left by Andrew Hemingway2. William Morris: Decoration and Materialism by Caroline Arscott 3. Mikhail Lifshits: A Marxist Conservative by Stanley Mitchell4. Frederick Antal by Paul Stirton5. Art as Social Consciousness: Francis Klingender and British Art by David Bindman6. Max Raphael: Aesthetics and Politics by Stanley Mitchell7. Walter Benjamin’s Essay on Eduard Fuchs: An Art-Historical Perspective by Frederic J. Schwartz8. Meyer Schapiro: Marxism, Science and Art by Andrew Hemingway9. Henri Lefebvre and the Moment of the Aesthetic by Marc Léger10. Arnold Hauser, Adorno, Lukács and the Ideal Spectator by John Roberts11. New Left Art History and Fascism in Germany by Jutta Held 12. The Turn from Marx to Warburg in West German Art History, 1968-90 by Otto Karl WerckmeisterIndex

'No other book has ever attempted this ambitious project with such care and intelligence'

Andrew Hemingway is Professor of History of Art at University College London. He is the editor of Marxism and the History of Art (Pluto, 2006) and author of Artists on the Left: American Artists and the Communist Movement, 1926-56 (2002).

• Preface1. Introduction: Marxism and Art History after the New Left by Andrew Hemingway2. William Morris: Decoration and Materialism by Caroline Arscott 3. Mikhail Lifshits: A Marxist Conservative by Stanley Mitchell4. Frederick Antal by Paul Stirton5. Art as Social Consciousness: Francis Klingender and British Art by David Bindman6. Max Raphael: Aesthetics and Politics by Stanley Mitchell7. Walter Benjamin’s Essay on Eduard Fuchs: An Art-Historical Perspective by Frederic J. Schwartz8. Meyer Schapiro: Marxism, Science and Art by Andrew Hemingway9. Henri Lefebvre and the Moment of the Aesthetic by Marc Léger10. Arnold Hauser, Adorno, Lukács and the Ideal Spectator by John Roberts11. New Left Art History and Fascism in Germany by Jutta Held 12. The Turn from Marx to Warburg in West German Art History, 1968-90 by Otto Karl WerckmeisterIndex

'No other book has ever attempted this ambitious project with such care and intelligence'