“In her pioneering analysis of the formation of a new religious nationalist movement, Kamari Maxine Clarke shows in fascinating detail how the ÒyÓtÚnjÍ community refashioned YorÙbÁ religion to suit its notion of racial identity.”-Jacob Olupona, editor of African Spirituality: Forms, Meanings, and Expressions “In this highly original analysis, Kamari Maxine Clarke shows how the apparent stability of ‘tradition’ at different moments in time has been the product of processes of innovation made both necessary and possible during particular phases of economic limitation and religious and political oppression in the long historical stream of ‘black transatlantic’ cultural production.”-Brackette F. Williams, author of Stains on My Name, War in My Veins: Guyana and the Politics of Cultural Struggle