Lisa Kelly is half-Danish and half-deaf. She is the Chair of Magma Poetry and co-edited issue 63, The Conversation Issue; and issue 69, The Deaf Issue. She is a regular host of poetry evenings at the Torriano Meeting House, London, and has an MA in Creative Writing with Distinction from Lancaster University. Her pamphlets are Bloodhound (Hearing Eye, 2012) and Philip Levine's Good Ear (Stonewood Press, 2018).She is currently a freelance journalist specialising in technology, and has worked as an actress, life model, Consumer Champion, waitress, sales assistant and envelope stuffer. She teaches creative writing and poetry in performance at the Torriano Meeting House.

'Lisa Kelly's poems are every bit attentive as they are inventive. Whether on hearing and deafness, or amongst oysters and aphids, she writes with an instinctive and joyful aplomb, which is unafraid of stretching the possibilities of language itself.' - Jane Commane; 'Lisa Kelly searchingly translates for us the intimate connections between language and the body, between symbol and experience.' - Jane Draycott

Lisa Kelly is half-Danish and half-deaf. She is the Chair of Magma Poetry and co-edited issue 63, The Conversation Issue; and issue 69, The Deaf Issue. She is a regular host of poetry evenings at the Torriano Meeting House, London, and has an MA in Creative Writing with Distinction from Lancaster University. Her pamphlets are Bloodhound (Hearing Eye, 2012) and Philip Levine's Good Ear (Stonewood Press, 2018).She is currently a freelance journalist specialising in technology, and has worked as an actress, life model, Consumer Champion, waitress, sales assistant and envelope stuffer. She teaches creative writing and poetry in performance at the Torriano Meeting House.

'Lisa Kelly's poems are every bit attentive as they are inventive. Whether on hearing and deafness, or amongst oysters and aphids, she writes with an instinctive and joyful aplomb, which is unafraid of stretching the possibilities of language itself.' - Jane Commane; 'Lisa Kelly searchingly translates for us the intimate connections between language and the body, between symbol and experience.' - Jane Draycott

Lisa Kelly is half-Danish and half-deaf. She is the Chair of Magma Poetry and co-edited issue 63, The Conversation Issue; and issue 69, The Deaf Issue. She is a regular host of poetry evenings at the Torriano Meeting House, London, and has an MA in Creative Writing with Distinction from Lancaster University. Her pamphlets are Bloodhound (Hearing Eye, 2012) and Philip Levine's Good Ear (Stonewood Press, 2018).She is currently a freelance journalist specialising in technology, and has worked as an actress, life model, Consumer Champion, waitress, sales assistant and envelope stuffer. She teaches creative writing and poetry in performance at the Torriano Meeting House.

'Lisa Kelly's poems are every bit attentive as they are inventive. Whether on hearing and deafness, or amongst oysters and aphids, she writes with an instinctive and joyful aplomb, which is unafraid of stretching the possibilities of language itself.' - Jane Commane; 'Lisa Kelly searchingly translates for us the intimate connections between language and the body, between symbol and experience.' - Jane Draycott