Making Media Theory

Thinking Critically with Technology

Inbunden, Engelska, 2020

Av Marcel O’Gorman, Marcel O'Gorman

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Making Media Theory is about the study, practice, and hands-on design of media theory. It looks at experimental research methods and engages in media analysis, inviting readers to respond to and shape the materiality of media while carefully considering the implications of living in a technoculture. The author walks readers through the creation of digital objects to think with, where critical design practices serve as tools for exploring social and philosophical issues related to technological being and becoming.

Produktinformation

Utgivningsdatum2020-10-29
Mått152 x 229 x undefined mm
Vikt404 g
FormatInbunden
SpråkEngelska
Antal sidor176
FörlagBloomsbury Publishing Plc
ISBN9781501358623

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Marcel O’Gorman is a University Research Chair, Professor of English, and Founding Director of the Critical Media Lab (CML), where he teaches courses in digital design and the philosophy of technology, at the University of Waterloo, Canada. O’Gorman has published widely about the impacts of technology on society, including his most recent book Necromedia (2015) and articles in Slate, The Atlantic, and The Globe and Mail. He is also a digital artist with an international portfolio of exhibitions and performances.

O’Gorman’s Making Media Theory provides a hands-on guide to making objects without screens that serve as vehicles for media theory. In celebrating “broken tools and misfit toys,” he curates a series of creative exercises developed at the Critical Media Lab while also unfolding a larger philosophical meditation that challenges technoscientific false consciousness. This wise and whimsical how-to manual for understanding our current hyper-mediated state is essential reading for asserting the value of the arts and humanities and the pleasures of what Jack Halberstam has called “low theory.” With tales of tofu robots, sentient rabbits, wobbly furniture, electrified play-dough, high-tech hot dog eating, and a disembodied pink tentacle wielding a Swiss army knife, O’Gorman invites us to think through and with a collection of weird and misshapen media objects.