Häftad, Engelska, 2022
Del i serien Routledge Studies in Shakespeare
Majesty and the Masses in Shakespeare and Marlowe
Western Anti-Monarchism, The Earl of Essex Challenge, and Political Stagecraft
Av Chris Fitter
1049 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2022-04-29
- Mått: 152 x 229 x 20 mm
- Vikt: 494 g
- Format: Häftad
- Språk: Engelska
- Serie: Routledge Studies in Shakespeare
- Antal sidor: 364
- Förlag: Taylor & Francis Ltd
- ISBN: 9780367552503
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Chris Fitter was educated at Oxford, taking his doctorate from St. John’s College. Professor of English at Rutgers University at Camden, his three previous books are Poetry, Space, Landscape: Toward a New Theory (Cambridge, 1994); Radical Shakespeare: Politics and Stagecraft in the Early Career (Routledge, 2012); Shakespeare and the Politics of Commoners: Digesting the New Social History (Oxford, 2017). He is author also of twenty journal essays and book chapters, and two dozen book reviews.
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"Chris Fitter's survey of Western anti-monarchism "spans the first two chapters (134 pages), which review Greek, Roman, Biblical and medieval sources as well as an international set of humanists. The range here is impressive: more than forty writers, some of whom are represented in multiple texts. . . The quotations are well-chosen, and the overview is fascinating. . . Fitter handles the complexities of humanist statecraft in a compelling fashion. . .Energetic readings of plays keep their artistic status front and center, making a refreshing argument for political interpretation. . . Any future effort to locate Shakespeare in a royalist camp will have to reckon with this book." --Theodore Nollert, Ben Jonson Journal "Fitter builds his case with a mountain range of antimonarchic primary sources and counterintuitive close readings . . . [His] rigorous historical contextualization, attention to performance, and eye for the critique of power mark a methodology that could offer new and generative takes on the rest of Marlowe's dramatic corpus . . . The work proves that [Shakespeare] did not awaken to an antiauthoritarian dramaturgy with the stunning mid-career vision of King Lear, but that hostility to the crown is baked into the plays from the beginning." --Robin Kello, Marlowe Newsletter
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