Machaut's Music: New Interpretations

ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries. ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries. KARL KÜGLE is Director of Research in the Faculty of Music, University of Oxford, and a Senior Research Fellow of Wadham College. MARGARET BENT is an Emeritus Fellow of All Souls College, Oxford. PETER M. LEFFERTS is Professor of Music at the University of Nebraska-Lincoln.

• Symmetry and Dissymmetry in the Music of the Lay de Bonne Esperance (L18/13) - Virginia NewesSPECULUM MORTIS: Form and Signification in Machaut's Motet Hé Mors / Fine Amour / Quare non sum mortuus (M3) - Jacques BoogaartObservations on Machaut's Hé Mors, com tu es haie / Fine Amour, qui me vint navrer / Quare non sum mortuus (M3) - Alice V. ClarkFlos / Celsa and Machaut's Motets: Emulation - and Error? - Thomas BrownTexture and Counterpoint in the Four-Voice Mass Settings of Machaut and his Contemporaries - Kevin N MollThe 'Harmony' of the Machaut Mass - Margaret BentMachaut's Mass and Sounding Number - Singing More About Singing Less: Machaut's Pour ce que tous (B12) - Elizabeth Eva LeachMusic Writing and Poetic Voice in Machaut: Some Remarks on B12 and R14 - Anne StoneA Portrayal of the Lady who Guards her Honour (B25) - Jehoash HirshbergMachaut's B-flat Balade Honte, paour (B25) - Peter M. LeffertsThe Intabulation of De toutes flours (B31) in the Codex Faenza as Analytical Model - Jane E FlynnMachaut's Balade Ploures dames (B32) in the Light of Real Modality - Christian BergerBalades 32 and 33 and the 'res dalemangne' - Jennifer BainMale and Female Voice in Two Virelais of Guillaume de Machaut - William MahrtThe Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda PlumleyRose, lis Revisited - Daniel Leech-WilkinsonSome Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl Kugle

A key study, which will be of value for some years to come.