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Václav Havel - Lost and Found, Häftad

Häftad, Engelska, 2026

Del i serien Václav Havel Series

Lost and Found

Hidden Notes on My First Incarceration

Av Václav Havel

359 kr

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Beskrivning
An English translation of a lost manuscript of reflections from former Czech dissident Václav Havel. In the fall of 1977, after the dramatic events of the “Year of Charter 77,” Václav Havel wrote a report recounting the first hours after the Charter 77 Declaration, the four months of investigative detention imposed on him by the communist regime, his release, and the agonizing self-examination that followed. In this text, the former dissident describes not only the investigation but also the Faustian guilt he felt after promising to scale back his political activities in exchange for his freedom. As he later recalled in a book-length interview with journalist Karel Hvíždala titled Dálkový výslech (Disturbing the Peace), he hid the roughly one-hundred-page manuscript somewhere, admitting: “I don’t know where it is anymore. Maybe I’ll find it someday.” He never did. The manuscript resurfaced only recently, discovered among the papers of his close friend Zdeněk Urbánek. Fragmentary yet strikingly immediate, the text has been reconstructed and published by the Václav Havel Library, with the English translation appearing on the occasion of the world-renowned intellectual’s ninetieth birthday.
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Václav Havel (1936–2011) was a Czech playwright, essayist, and dissident, widely regarded as a leading thinker of the twentieth century, who served as the last president of Czechoslovakia and the first president of the Czech Republic. Paul Wilson is a translator and editor specializing in Czech literature, known for his English translations of Václav Havel’s works, including Open Letters: Selected Writing 1963–1989, Summer Meditations, The Art of the Impossible, and The Beggar’s Opera.

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“The discovery of this manuscript, decades after it was composed and then hidden away by the author, is an unusual gift. Havel’s account of his first extended stay in prison, written down just after his release, has a raw and unmediated quality. It is a phenomenology of the experience of interrogation, a description of a drama at the very center of the totalitarian experience: the Faustian moment of encounter with a real-life Mephistopheles.”

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