Morgan Batch is a Sessional Academic with the Creative Industries Faculty at Queensland University of Technology, Australia.

• AcknowledgementsIntroductionPart I: "We’re all in our own little world": Inside Dementia ExperiencesChapter 1: Dementia from the Inside: The Father and AutobiographerChapter 2: Research-based Performance: Inside Out of MindChapter 3: Social Narratives and the Family as Microcosm: Really Old, Like Forty-FivePart I summaryPart II: Active and Passive EmbodimentChapter 4: Transforming the domestic space: Sundowner and 1 Beach RoadChapter 5: Puppetry and Dementia: It’s Dark Outside and D-Generation: An Exaltation of Larks Part II summary Part III: Postdramatic Theatre: Radical alternatives for staging dementia Chapter 6: Experiential performance: Memory Point(s)Chapter 7: Problematising dementia: Sul Concetto di Volto nel Figlio di DioChapter 8: Dementia and Creative Agency: RUFFPart III summaryConclusionEnd MatterIndex

Morgan Batch is a Sessional Academic with the Creative Industries Faculty at Queensland University of Technology, Australia.

• AcknowledgementsIntroductionPart I: "We’re all in our own little world": Inside Dementia ExperiencesChapter 1: Dementia from the Inside: The Father and AutobiographerChapter 2: Research-based Performance: Inside Out of MindChapter 3: Social Narratives and the Family as Microcosm: Really Old, Like Forty-FivePart I summaryPart II: Active and Passive EmbodimentChapter 4: Transforming the domestic space: Sundowner and 1 Beach RoadChapter 5: Puppetry and Dementia: It’s Dark Outside and D-Generation: An Exaltation of Larks Part II summary Part III: Postdramatic Theatre: Radical alternatives for staging dementia Chapter 6: Experiential performance: Memory Point(s)Chapter 7: Problematising dementia: Sul Concetto di Volto nel Figlio di DioChapter 8: Dementia and Creative Agency: RUFFPart III summaryConclusionEnd MatterIndex

Morgan Batch is a Sessional Academic with the Creative Industries Faculty at Queensland University of Technology, Australia.

• AcknowledgementsIntroductionPart I: "We’re all in our own little world": Inside Dementia ExperiencesChapter 1: Dementia from the Inside: The Father and AutobiographerChapter 2: Research-based Performance: Inside Out of MindChapter 3: Social Narratives and the Family as Microcosm: Really Old, Like Forty-FivePart I summaryPart II: Active and Passive EmbodimentChapter 4: Transforming the domestic space: Sundowner and 1 Beach RoadChapter 5: Puppetry and Dementia: It’s Dark Outside and D-Generation: An Exaltation of Larks Part II summary Part III: Postdramatic Theatre: Radical alternatives for staging dementia Chapter 6: Experiential performance: Memory Point(s)Chapter 7: Problematising dementia: Sul Concetto di Volto nel Figlio di DioChapter 8: Dementia and Creative Agency: RUFFPart III summaryConclusionEnd MatterIndex