Mark Cousins works as a composer and sound engineer (www.cousins-saunders.co.uk), as well as being a long-serving contributor to MusicTech magazine, where he writes the regular Logic Pro X column. His music is used worldwide on television, radio and film, and has been featured on hit shows like The Apprentice, Top Gear and CSI:NY. As well as having works performed and recorded by the City of Prague Philharmonic Orchestra and the Bulgarian Film Orchestra and Choir, Mark has also had his music used in commercials for McDonald’s, Diet Coke, Stella Artois, Liptons, Strongbow and BT.Russ Hepworth-Sawyer is a sound engineer and producer with two decades’ experience of all things audio and is a member of the Association of Professional Recording Services, a Fellow of the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce), and a board member of the Music Producer’s Guild where he helped form their Mastering Group. Through MOTTOsound (www.mottosound.co.uk), Russ works freelance in the industry as a mastering engineer, writer, and consultant. Russ currently lectures part-time for York St John University and has taught extensively in Higher Education institutions in the UK. He has written for MusicTech Magazine, Pro Sound News Europe and Sound On Sound and has written many titles for Focal Press.

• Chapter 1: The Logic Concept; Chapter 2:Logic’s Interface; Chapter 3: Getting Connected; Chapter 4: Starting a Project; Chapter 5: Audio Regions and Editing; Chapter 6: MIDI Sequencing and Instrument Plug-Ins; Chapter 7: Creative Sound Design; Chapter 8: Mixing in Logic; Chapter 9: Mastering in Logic; Chapter 10: Logic and Multimedia Production; Chapter 11: Optimizing Logic

"It seems everything about the application is covered somewhere in the book, from file-saving structures and organisation, to in-depth exploration of the EXS24 sampler; from synthesis and the built-in synthesisers, to working with movie files. And more...here is no better system on offer to musicians wanting to take their song from scratch demo to finished recording than Logic Pro, and this book will help those musicians as well as producers and mixers alike become true Logic ninjas, putting the stress of trying to understand the software behind them." -- Ben Trigg, Musicians' Republic

Mark Cousins works as a composer and sound engineer (www.cousins-saunders.co.uk), as well as being a long-serving contributor to MusicTech magazine, where he writes the regular Logic Pro X column. His music is used worldwide on television, radio and film, and has been featured on hit shows like The Apprentice, Top Gear and CSI:NY. As well as having works performed and recorded by the City of Prague Philharmonic Orchestra and the Bulgarian Film Orchestra and Choir, Mark has also had his music used in commercials for McDonald’s, Diet Coke, Stella Artois, Liptons, Strongbow and BT.Russ Hepworth-Sawyer is a sound engineer and producer with two decades’ experience of all things audio and is a member of the Association of Professional Recording Services, a Fellow of the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce), and a board member of the Music Producer’s Guild where he helped form their Mastering Group. Through MOTTOsound (www.mottosound.co.uk), Russ works freelance in the industry as a mastering engineer, writer, and consultant. Russ currently lectures part-time for York St John University and has taught extensively in Higher Education institutions in the UK. He has written for MusicTech Magazine, Pro Sound News Europe and Sound On Sound and has written many titles for Focal Press.

• Chapter 1: The Logic Concept; Chapter 2:Logic’s Interface; Chapter 3: Getting Connected; Chapter 4: Starting a Project; Chapter 5: Audio Regions and Editing; Chapter 6: MIDI Sequencing and Instrument Plug-Ins; Chapter 7: Creative Sound Design; Chapter 8: Mixing in Logic; Chapter 9: Mastering in Logic; Chapter 10: Logic and Multimedia Production; Chapter 11: Optimizing Logic

"It seems everything about the application is covered somewhere in the book, from file-saving structures and organisation, to in-depth exploration of the EXS24 sampler; from synthesis and the built-in synthesisers, to working with movie files. And more...here is no better system on offer to musicians wanting to take their song from scratch demo to finished recording than Logic Pro, and this book will help those musicians as well as producers and mixers alike become true Logic ninjas, putting the stress of trying to understand the software behind them." -- Ben Trigg, Musicians' Republic

Mark Cousins works as a composer and sound engineer (www.cousins-saunders.co.uk), as well as being a long-serving contributor to MusicTech magazine, where he writes the regular Logic Pro X column. His music is used worldwide on television, radio and film, and has been featured on hit shows like The Apprentice, Top Gear and CSI:NY. As well as having works performed and recorded by the City of Prague Philharmonic Orchestra and the Bulgarian Film Orchestra and Choir, Mark has also had his music used in commercials for McDonald’s, Diet Coke, Stella Artois, Liptons, Strongbow and BT.Russ Hepworth-Sawyer is a sound engineer and producer with two decades’ experience of all things audio and is a member of the Association of Professional Recording Services, a Fellow of the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce), and a board member of the Music Producer’s Guild where he helped form their Mastering Group. Through MOTTOsound (www.mottosound.co.uk), Russ works freelance in the industry as a mastering engineer, writer, and consultant. Russ currently lectures part-time for York St John University and has taught extensively in Higher Education institutions in the UK. He has written for MusicTech Magazine, Pro Sound News Europe and Sound On Sound and has written many titles for Focal Press.

• Chapter 1: The Logic Concept; Chapter 2:Logic’s Interface; Chapter 3: Getting Connected; Chapter 4: Starting a Project; Chapter 5: Audio Regions and Editing; Chapter 6: MIDI Sequencing and Instrument Plug-Ins; Chapter 7: Creative Sound Design; Chapter 8: Mixing in Logic; Chapter 9: Mastering in Logic; Chapter 10: Logic and Multimedia Production; Chapter 11: Optimizing Logic

"It seems everything about the application is covered somewhere in the book, from file-saving structures and organisation, to in-depth exploration of the EXS24 sampler; from synthesis and the built-in synthesisers, to working with movie files. And more...here is no better system on offer to musicians wanting to take their song from scratch demo to finished recording than Logic Pro, and this book will help those musicians as well as producers and mixers alike become true Logic ninjas, putting the stress of trying to understand the software behind them." -- Ben Trigg, Musicians' Republic