Del i serien Studies in Iconography: Themes and Variations

Locus of Meaning in Medieval Art

Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages

Inbunden, Engelska, 2019

2 559 kr

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Thisbook addresses the status and relevance of iconography and iconology in the post-Panofskianstudy of medieval art. These disciplines remain crucial for the continuedpraxis in the discipline. The essays within this collection demonstrate thecontinued usefulness of iconography and iconology as analytical strategies, andpropose alternative approaches to investigating the meaning of medieval art.

Produktinformation

Utgivningsdatum2019-01-15
Mått156 x 234 x 22 mm
Vikt915 g
FormatInbunden
SpråkEngelska
SerieStudies in Iconography: Themes and Variations
Antal sidor252
FörlagDe Gruyter
ISBN9781580443432

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Konsthistoria inom Kultur

Introduction by Lena LiepePart 1. Methodological IssuesPreface by Lena LiepeThe Study of Iconography and Iconology of Medieval Art: A Historiographic Survey by Lena LiepePanopticon of Art History: Some Notes on Iconology, Interpretation, and Fears by Elina RäsänenIconography and Anthropology: A Re-Evaluation of the Panofskian Model with an Anthropological Perspective by Søren KaspersenVisual Metaphors, Reinforcing Attributes, and Panofsky’s Primary Level of Interpretation by Jan von BonsdorffThe Image as Contact Medium: Mediation, Multimodality, and Haptics in Medieval Imagery by Hans Henrik Lohfert JørgensenPart 2. Case Studies Preface by Lena LiepeUnderstanding Islamic Features in Norwegian Romanesque Architecture by Kjartan HauglidLooking at the Ladies: An Intervisual Approach to the Portraits of Jeanne de France, the Virgin, and St. Anne in the Lamoignon Hours (ca. 1415) by Ragnhild BøIconography and Visions: St. Birgitta’s Revelation of the Nativity of Christ by Maria H. Oen