Locating Nordic Noir

Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. His research has focussed on Scandinavian crime fiction, written and audio-visual, and media production studies with special attention towards relationships between local and global media. He has published extensively on crime fiction and Danish film and television.Anne Marit Waade is Associate Professor of Media & Journalism, Aarhus University, Denmark. Her research has focused on creative industry and promotional culture, locations in television productions, the export of Danish television drama and media tourism. She has published extensively on Danish television drama, mediated places and tourism.

• 1. Introduction: Where is Nordic Noir?.- 2. Part I: Local colour and location studies - Local colour and places on screen.- 3. Location studies: a topography of Nordic noir.- 4. Four perspectives on the Nordic region.- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone.- 6. Beck and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen  - The Killing and DR’s Danish model.- 9. Norskov and Danish commercial public service drama.- 10. The Team, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original.- 12. Trapped and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.

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