LO: TECH: POP: CULT

Priscilla Guy is a Canadian artist and researcher holding a PhD in feminist screendance from Université de Lille. She is co-founder and director of Regards Hybrides, a project that aims to promote the expression, development, and outreach of practices and discourses that border between dance and cinema. With its web platform, its international biennial, and its range of services for artists and presenters, Regards Hybrides is the only project of its kind in Canada.Alanna Thain is Associate Professor of English, World Cinemas and Gender, Sexuality and Feminist Studies at McGill University. She is co-founder and director of the Moving Image Research Lab, dedicated to the studying of the body in moving image media, and directs the FRQSC research team CORERISC: Collective for Research on Epistemologies and Ontologies of Embodied Risk. She is the author of Bodies in Suspense: Time and Affect in Cinema (2017).

• List of Contributors Foreword Introduction1. “Let Me in Through Your Window”: Dancing with Kate Bush and Hatsune MikuHilary Bergen2. The Queer Art of Hospitality: “If You Can Fuck, You Can Dance!”Luce DeLire3. Kinesthetic Empathy as Human Connection in Digital SpaceCara Hagan4. The Value of a Cheap Trick: Reverse Motion from Lo Tech SFX to Speculative SpectacleAlanna Thain5. Little Visions and Grandiose Perceptions: An Interview with Manon Labrecque by Priscilla GuyManon Labrecque and Priscilla Guy6. Canonising BTS: FOMO in the Archives of Digital ConvenienceYutian Wong7. Keeping in time: Mastery, as a condition of colonial and patriarchal discourse, and the temporality of screendanceAnna Macdonald8. Bill Robinson: Icon of DignityKarla Etienne9. The Ghost(s) of Alice Guy: Reminiscences of a Feminist Screendance PioneerPriscilla Guy10. In a World of Dancing Waves and DIY Addiction: An Interview with Sonya Stefan by Priscilla GuySonya Stefan and Priscilla Guy11. “Take Me to the Place Where the White Boys Dance”: Tom Hanks’s ManchildAddie Tsai12. Traces, Memories, and Rediscovered Gestures: A Creative Practice of Archiving and Sensitive WritingCamille Auburtin13. Terrance Houle’s Ghost Dancing in A Wagon Burner LandscapeJessica Jacobson-Konefall14. Desire to Heal, Desire to be Seen, Desire to Dance: An Interview with Kijâtai-Alexandra Veillette-Cheezo by Priscilla GuyKijâtai-Alexandra Veillette-Cheezo and Priscilla Guy15. From _ Ryan Clayton To _ Emilie MorinRyan Clayton and Emilie Morin16. Filming Consciousness: Between Phonesia and Talking Camera — Organological CinemaAnatoli Vlassov17. The matter of analogue media technologies in Screendance, post Martin Heidegger and post Hito SteyerlClaudia Kappenberg18. Moving Mirror or Screendance as Performance Methodology: An Interview with Nadège Grebmeier Forget by Alanna ThainNadège Grebmeier Forget and Alanna ThainIndex