Susan Boynton is Professor of Music at Columbia University. Among her publications on liturgy and music are Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125 (2006) and Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain (2011).

• PrefaceAcknowledgmentsList of Figures1 Reconstructing the Rite1 From Decline to Reconstruction2 Philology and Liturgy3 Remaking the Rite4 Imprint and Image5 Relocating the RiteAppendix A: Prefaces and Colophon of the Mozarabic Editions2 Defining the Mozarabs1 Mozarabic Origins2 The Mozarabs and Arabic3 The Mozarabs as the Tenth Nation4 Definitions of the Mozarabs after 14925 The “Mozarabic Question”Appendix B: Timeline and Summary of Mozarabic Definitions3 Remembering the Rite1 Textual Accounts of the Campaign2 Oran and Cisneros3 Oran and the Mozarabic Rite4 Framing History5 The Rite in the Eighteenth CenturyAppendix C: Petition from the clergy of the Mozarabic parishes in Toledo (undated copy)4 Collecting the Rite1 Sixteenth-Century Owners2 Seventeenth-Century Owners3 Eighteenth-Century Owners4 French Collections in the Eighteenth Century5 Modern Collections6 A Mozarabic Missal as Microcosm5 Understanding the Rite1 Philology and Liturgy2 Annotations as a Sign of Use3 Case Study: The Hymn for Saint Thyrsus4 A Failed Experiment: Spain in Pierre Le Brun’s Liturgical Survey5 Pinius’s Research in Toledo6 Jesuit Historians of the Rite: Lesley and Burriel7 Lorenzana and the Republication of the Rite8 Faustino Arévalo: The End of an EraConclusionAppendix 1: Exchange of letters between Blas Jover y Alcázar and Gregorio Mayans y SiscarAppendix 2: Copies of the Ortiz Editions and Their ProvenanceBibliographyIndex