Louisa May Alcott (1832–1888) is a much beloved author of American literature, in particular the Little Women trilogy, centered on the semiautobiographical March family (Little Women, Little Men, and Jo’s Boys). Best known in her time for Little Women, An Old-Fashioned Girl, and Little Men, her obituary in the New York Times declared, “There was probably no writer among women better loved by the young than she.” Sarah Blackwood is Professor of English at Pace University, where she teaches courses on nineteenth-century US literature, visual culture, and representations of selfhood. She is the author of The Portrait’s Subject: Inventing Inner Life in the Nineteenth-Century United States (2019), as well as the introductions to the Penguin Classics editions of Edith Wharton’s The Custom of the Country (1913) and The Age of Innocence (1920). Her criticism has appeared in The New York Review of Books, The New Yorker, The New Republic, and elsewhere. She lives with her family in Brooklyn, New York.

Louisa May Alcott (1832–1888) is a much beloved author of American literature, in particular the Little Women trilogy, centered on the semiautobiographical March family (Little Women, Little Men, and Jo’s Boys). Best known in her time for Little Women, An Old-Fashioned Girl, and Little Men, her obituary in the New York Times declared, “There was probably no writer among women better loved by the young than she.” Sarah Blackwood is Professor of English at Pace University, where she teaches courses on nineteenth-century US literature, visual culture, and representations of selfhood. She is the author of The Portrait’s Subject: Inventing Inner Life in the Nineteenth-Century United States (2019), as well as the introductions to the Penguin Classics editions of Edith Wharton’s The Custom of the Country (1913) and The Age of Innocence (1920). Her criticism has appeared in The New York Review of Books, The New Yorker, The New Republic, and elsewhere. She lives with her family in Brooklyn, New York.

Louisa May Alcott (1832–1888) is a much beloved author of American literature, in particular the Little Women trilogy, centered on the semiautobiographical March family (Little Women, Little Men, and Jo’s Boys). Best known in her time for Little Women, An Old-Fashioned Girl, and Little Men, her obituary in the New York Times declared, “There was probably no writer among women better loved by the young than she.” Sarah Blackwood is Professor of English at Pace University, where she teaches courses on nineteenth-century US literature, visual culture, and representations of selfhood. She is the author of The Portrait’s Subject: Inventing Inner Life in the Nineteenth-Century United States (2019), as well as the introductions to the Penguin Classics editions of Edith Wharton’s The Custom of the Country (1913) and The Age of Innocence (1920). Her criticism has appeared in The New York Review of Books, The New Yorker, The New Republic, and elsewhere. She lives with her family in Brooklyn, New York.