Ellen Jones holds a doctorate from Queen Mary University of London. Her recent literary translations from Spanish include Ave Barrera’s The Forgery (2022, co-translated with Robin Myers), Bruno Lloret’s Nancy (2020) and Rodrigo Fuentes’s Trout, Belly Up (2019). Her critical writing has appeared in the Times Literary Supplement, the Los Angeles Review of Books, the Guardian, and elsewhere.

• AcknowledgmentsA Note on TranslationsIntroduction: Translation and Multilingualism in Contemporary American Literature1. “Mi lengua es un palimpsesto”: Susana Chávez-Silverman’s Palimpsestuous Writing2. Censorship and (Pseudo-)Translation in Junot Díaz’s The Brief Wondrous Life of Oscar Wao3. “I Want My Closet Back”: Queering and Unqueering Language in Giannina Braschi’s Yo-Yo Boing!4. Fluid Trajectories in Two Versions of Wilson Bueno’s Mar ParaguayoCoda: Beyond America: Multilingualism, Translation, and AsymptoteNotesBibliographyIndex

Literature in Motion is a landmark work on translation, multilingualism and writing, by a seasoned and brilliant scholar and translator. Ellen Jones provides an invaluable assessment of literary writing in various spaces of linguistic contact and friction across the Americas.

Ellen Jones holds a doctorate from Queen Mary University of London. Her recent literary translations from Spanish include Ave Barrera’s The Forgery (2022, co-translated with Robin Myers), Bruno Lloret’s Nancy (2020) and Rodrigo Fuentes’s Trout, Belly Up (2019). Her critical writing has appeared in the Times Literary Supplement, the Los Angeles Review of Books, the Guardian, and elsewhere.

• AcknowledgmentsA Note on TranslationsIntroduction: Translation and Multilingualism in Contemporary American Literature1. “Mi lengua es un palimpsesto”: Susana Chávez-Silverman’s Palimpsestuous Writing2. Censorship and (Pseudo-)Translation in Junot Díaz’s The Brief Wondrous Life of Oscar Wao3. “I Want My Closet Back”: Queering and Unqueering Language in Giannina Braschi’s Yo-Yo Boing!4. Fluid Trajectories in Two Versions of Wilson Bueno’s Mar ParaguayoCoda: Beyond America: Multilingualism, Translation, and AsymptoteNotesBibliographyIndex

Literature in Motion is a landmark work on translation, multilingualism and writing, by a seasoned and brilliant scholar and translator. Ellen Jones provides an invaluable assessment of literary writing in various spaces of linguistic contact and friction across the Americas.

Ellen Jones holds a doctorate from Queen Mary University of London. Her recent literary translations from Spanish include Ave Barrera’s The Forgery (2022, co-translated with Robin Myers), Bruno Lloret’s Nancy (2020) and Rodrigo Fuentes’s Trout, Belly Up (2019). Her critical writing has appeared in the Times Literary Supplement, the Los Angeles Review of Books, the Guardian, and elsewhere.

• AcknowledgmentsA Note on TranslationsIntroduction: Translation and Multilingualism in Contemporary American Literature1. “Mi lengua es un palimpsesto”: Susana Chávez-Silverman’s Palimpsestuous Writing2. Censorship and (Pseudo-)Translation in Junot Díaz’s The Brief Wondrous Life of Oscar Wao3. “I Want My Closet Back”: Queering and Unqueering Language in Giannina Braschi’s Yo-Yo Boing!4. Fluid Trajectories in Two Versions of Wilson Bueno’s Mar ParaguayoCoda: Beyond America: Multilingualism, Translation, and AsymptoteNotesBibliographyIndex

Literature in Motion is a landmark work on translation, multilingualism and writing, by a seasoned and brilliant scholar and translator. Ellen Jones provides an invaluable assessment of literary writing in various spaces of linguistic contact and friction across the Americas.