Literature and Film in Cold War South Korea

Theodore Hughes is associate professor of modern Korean literature and film in the Department of East Asian Languages and Cultures at Columbia University. He earned his Ph.D. in modern Korean literature from the University of California, Los Angeles, and is the translator of Panmunjom and Other Stories by Lee Ho-Chul.

• List of Illustrations Introduction 1. Visuality and the Colonial Modern: The Technics of Proletarian Culture 2. Visible and Invisible States: Liberation 3. Ambivalent Anticommunism: The Politics of Despair and the Erotics of Language 4. Development as Devolution: Overcoming Communism and the "Land of Excrement" Incident 5. Return to the Colonial Present: Translation Postscript Notes Selected Bibliography Index

Theodore Hughes's ambitious new study shows us how Korea's colonial past persisted beyond its 'liberation.' Taking up literature, film, and art, he traces a modern history of the senses, mapping the production, reproduction, and contestation of a new culture of visibility (and invisibility) in the decades before and after 1945. Sophisticated and engaging, Literature and Film in Cold War South Korea is a milestone in the study of East Asian modernity. -- Michael K. Bourdaghs, University of Chicago, author of Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop Step by step Theodore Hughes will convince you the visual/verbal relationship that developed in the Korean colonial period has everything to do with the very foundations and logics of the postcolonial, Cold War South Korean developmental state, regime, and aesthetic. In so doing, he profoundly disrupts received histories of 'Korean' literature and received approaches to canonical literary and film texts. It is not an exaggeration to say that with Hughes, you will simply 'see' Korea differently. This is a must read for all those interested in the Koreas, the Cold War, and non-Western modernities at large. -- Nancy Abelmann, University of Illinois Theodore Hughes's book breaks new ground in the study of postliberation South Korean literary and visual culture. His insightful and nuanced readings of the inextricable links between 'the colonial modern' and South Korea's Cold War modernity are essential contributions to Korean studies scholarship in any language. -- Kyeong-Hee Choi, University of Chicago Literature and Film in Cold War South Korea deftly navigates various transitional historical moments, such as Korea's liberation, the outbreak of the Korean War, and the rise of a feverish anticommunist campaign in South Korea, while addressing the works of both canonical and often overlooked writers in Korean literature from the 1920s to 1970s. All in all, this is a masterful survey and analysis of twentieth-century Korean literary and visual culture that will bring an exciting new perspective to the field. -- Suk-Young Kim, University of California, Santa Barbara Head and shoulders above its competition. -- Kyu Hyun Kim Cross Currents Hughes delivers a postcolonial study of Korea's modern literary and cinematic history that no East Asian collection can be without... Highly recommended. Choice ...this work opens new doors for interpreting the subtle,and often overlooked, ways in which the Cold War was fought within the cultural field in East Asia. -- Christopher Grieve H-War Riveting... [Hughes's book] is a sophisticated, rich, and tantalizing study that should appeal not only to literature and film scholars, but to historians in general... This book should be compulsory reading not only for those with an interest in Korean culture studies, but also for Korean history majors. Journal of Asian Studies A welcome and thoughtful study. Journal of Cold War Studies A welcome contribution to the understanding of South Korea's Cold War culture. -- Seijin Chang The Review of Korean Studies