Rebecca Bowler is Lecturer in Twentieth Century English Literature at Keele University, UK and was Research Associate on the Dorothy Richardson Scholarly Editions Project. She is co-founder of the May Sinclair Society.

• 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Fordi. 'The Thing Perceived and Herself Perceiving’: The Double Impressionii. Representing the Unrepresentable I: Ford Madox Ford’s Parade’s Endiii. Representing the Unrepresentable II: Dorothy Richardson’s ‘Golden Light’2. Visual Metaphors: Dorothy Richardson and H.D.i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D.ii. Weaving Cinematic Form: H.D. and Dorothy Richardson3. Coming to Writing: Dorothy Richardson and May Sinclair4. Memory and VisionBibliographyIndex

Subtle and compelling ... [Bowler] lists a striking range of writers described by recent criticism as impressionist ... [and] shows superbly how all her writers, like Proust, need temporal distance from their experience in order to experience it fully.