Lissa

Sherine Hamdy is Professor of Anthropology at the University of California, Irvine. She is currently writing a young-adult graphic novel that tells the coming-of-age story of a Muslim-American woman.Coleman Nye is Assistant Professor of Gender, Sexuality, and Women’s Studies at Simon Fraser University. She was born and raised in Virginia, but now lives in Vancouver, BC.Caroline Brewer graduated from Rhode Island School of Design in 2016 with a degree in Illustration and a concentration in Literary Arts + Studies. They are the author of Autodesk's science fiction anthology FOUR. Currently living in Brooklyn, NY, their work explores themes of childhood, gender, love, and the magically real.Sarula Bao graduated from Rhode Island School of Design in 2016 with a BFA in Illustration. Based in Brooklyn, NY, her sequential work explores the queer Chinese-American experience.

• AcknowledgmentsForeword: Lissa and the Transduction of Ethnography by George E. Marcus Part I Cairo Part II Five Years Later Part III Revolution A Note About Page 235, Featuring the Art of Ganzeer Afterword: Reading Lissa by Paul Karasik Appendix I Timeline of the 2011 Egyptian Revolution Appendix II Creating Lissa: Concepts, Collaborations, and Craft Appendix III Teaching Guide Appendix IV Key References and Further Reading

"Revolution is as intimate as family and as mammoth as regime change in this graphic novel focused on the 2011 Tahrir Square demonstrations. This is the book's greatest strength: its belief in decency, even amidst violence and trauma. Its hopeful mood is mirrored by the book's rounded, flowing visuals: Bandages flutter like hair ribbons, water sluices down Anna's surgical scars, and Layla's eyes are wide as she tends to the grievously wounded. This is a chronicle of conflict, to be sure, but it is also a tribute to persistence of friendship and the power of a people united."- Publishers Weekly "Whether you read Lissa to educate yourself about health issues or research methods, or you just want to find out what happens to Layla and Anna, this graphic novel shows the huge and still untapped potential of comics for use in medicine and global health."- The Lancet "I have nothing but admiration for this book. The story is compelling—even a page turner. Moreover, it is informative, historically and culturally situated and uplifting—or, at least, it ends on a hopeful note—teaching hard truths, or glimpses of them, in an accessible and digestible way."- Shelly Errington, Anthropology Now "In Lissa, Hamdy, Nye, their artists Bao, Brewer, and Parenteau show us how we can collaboratively transform anthropology’s ways of seeing and communicating depth and nuance in our ethnographies. As the first publication in the new ethnoGRAPHIC series from University of Toronto Press, Lissa sets a high bar and positive tone for what we can expect from this series. Like most great books, Lissa allows the reader to bring different meanings and needs to the book, engaging them in multiple conversations that explore the ways in which we are connected."- Somatosphere "The complexity of the various ethical and medical dilemmas gives the work depth and pathos without making the arguments appear didactic. It is indeed the ethnographic research—the minor characters and their voices—that give the book its special strength."- Parismita Singh, graphic novelist, Medical Anthropology Quarterly "With the University of Toronto’s imprimatur and its ethnoGRAPHIC series, surely there are no more excuses not to expand what counts as professional, promotion-worthy ethnography. And Lissa offers a fantastic model of how to proceed. Congratulations to its visionary authors and editors."- Lochlann Jain, Medical Anthropology Quarterly "…offers slices of contrasting Egyptian and American biomedicines and uses the characters’ dilemmas to pry open the contradictions within and between these medical systems."- Stacy Leigh Pigg, Medical Anthropology Quarterly Lissa is an eminently teachable text, and it was clearly designed with the classroom in mind.- Christine Sargent, Anthropology Book Forum "The storytelling in LISSA is innovative in the sense that it shows people’s lives without resorting to broad stroke generalizations. The novel also nicely covers key aspects of cyber-activism, social media and texting - tools that were instrumental in communicating during the revolution." - Eduard Cousin "Through its story of intercultural friendship and its backstory of international and interdisciplinary collaboration, Lissa invites us to take an unusual – fictional, graphic- and highly original path to the heart of the ethnographic encounter. It is a journey I am excited to take with my students, and I look forward to seeing the next titles in the ethnographic series."- Martha Radice, Dalhousie University (Anthropologica 60, 2018) "As the debut of a new editorial series (ethnoGRAPHIC) that aims at promoting long-form ethnographic accounts into comic form, Lissa is without a doubt an editorial break-through that helps to bring balance to an otherwise dominantly textual field." - Kim Tondeur ( Anthropos) "Lissa intertwines academic knowledge and storytelling, Egypt and the United States, as well as the private sphere in which individuals/families make medical decisions and the public sphere in which health care systems operate, governments govern (or fail to do so), and citizens rebel against governments. The outcome, as academic and non-academic reviewers unanimously attest, is a highly informative yet readable and engrossing book." - Dominika Ferens, University of Wroclaw (Lublin Studies in Modern Languages and Literature)