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What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.

Produktinformation

  • Utgivningsdatum2020-01-09
  • Mått134 x 214 x 12 mm
  • Vikt240 g
  • FormatHäftad
  • SpråkEngelska
  • SerieStudy of Sound
  • Antal sidor200
  • FörlagBloomsbury Publishing Plc
  • ISBN9781501352348

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