Frances Maughan-Brown is a Visiting Assistant Professor of Philosophy at the College of the Holy Cross.

• Preface The Lily’s Tongue1. Glass Birds2. Paper Flowers3. The Child4. Golden LeavesThe Cordate TongueNotes Bibliography Index

"Closely analyzing one of the least known yet most exacting series of texts in Kierkegaard's authorship, his discourses on 'the lily in the field and the bird of the air,' Maughan-Brown breaks apart disciplinary barriers between theology, philosophy, aesthetics, and critical theory, while at the same time showing how Kierkegaard's discourses can quietly illuminate a constellation of ideas drawn from Plato, Kant, Hegel, Benjamin, and Derrida. Following Kierkegaard's texts to the letter, Maughan-Brown attends to what his texts do as much as to what they say." — Peter Fenves, author of The Messianic Reduction: Walter Benjamin and the Shape of Time

Frances Maughan-Brown is a Visiting Assistant Professor of Philosophy at the College of the Holy Cross.

• Preface The Lily’s Tongue1. Glass Birds2. Paper Flowers3. The Child4. Golden LeavesThe Cordate TongueNotes Bibliography Index

"Closely analyzing one of the least known yet most exacting series of texts in Kierkegaard's authorship, his discourses on 'the lily in the field and the bird of the air,' Maughan-Brown breaks apart disciplinary barriers between theology, philosophy, aesthetics, and critical theory, while at the same time showing how Kierkegaard's discourses can quietly illuminate a constellation of ideas drawn from Plato, Kant, Hegel, Benjamin, and Derrida. Following Kierkegaard's texts to the letter, Maughan-Brown attends to what his texts do as much as to what they say." — Peter Fenves, author of The Messianic Reduction: Walter Benjamin and the Shape of Time

Frances Maughan-Brown is a Visiting Assistant Professor of Philosophy at the College of the Holy Cross.

• Preface The Lily’s Tongue1. Glass Birds2. Paper Flowers3. The Child4. Golden LeavesThe Cordate TongueNotes Bibliography Index

"Closely analyzing one of the least known yet most exacting series of texts in Kierkegaard's authorship, his discourses on 'the lily in the field and the bird of the air,' Maughan-Brown breaks apart disciplinary barriers between theology, philosophy, aesthetics, and critical theory, while at the same time showing how Kierkegaard's discourses can quietly illuminate a constellation of ideas drawn from Plato, Kant, Hegel, Benjamin, and Derrida. Following Kierkegaard's texts to the letter, Maughan-Brown attends to what his texts do as much as to what they say." — Peter Fenves, author of The Messianic Reduction: Walter Benjamin and the Shape of Time