Light and Death

Figuration in Spenser, Kepler, Donne, Milton

Inbunden, Engelska, 2017

Av Judith H. Anderson, Judith H Anderson

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Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as cultural opposites. Analogy, a type of metaphor, has always been the connector of the known to the unknown, the sensible to the infinite. Anderson's study moves from the figuration of light and death to the history of analogy and its pertinence to light in physics and metaphysics, from Kepler to Donne, Spenser, and Milton. Topics proliferate: creativity, optics, the relation of literature to science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation.

Produktinformation

Utgivningsdatum2017-01-02
Mått152 x 229 x 25 mm
Vikt612 g
FormatInbunden
SpråkEngelska
Antal sidor328
FörlagFordham University Press
ISBN9780823272778

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Litteraturvetenskap inom Skonlitteratur

Introduction: Issues of Death, Light, and Analogy1. "The Body of This Death": Donne's Sermons,Spenser's Maleger, Milton's Sin and Death2. Mutability and Mortality in The Faerie Queene 3. Satanic Ethos: Evil, Death, and Individuality inParadise Lost4. Connecting the Cultural Dots: Classical to ModernTraditions of Analogy5. Proportional Thinking in Kepler's Science of Light6. Analogy, Proportion, and Death in Donne'sAnniversaries7. Milton's Twilight Zone: Analogy, Light, and Darknessin Paradise LostAcknowledgmentsNotesIndex

"Analogy, 'the connector of the known to the unknown,' is given in-depth exploration in this fascinating study of life and death, darkness and light, language and meaning; a learned, richly textured study that contributes immeasurably to early modern studies." -- -Regina M. Schwartz Professor of English, Northwestern University "This fascinating book is above all a contribution to the history of early modern science that helps an ongoing critical process of revisionism by showing how both scientific and poetic thought use analogy in similar ways. It is also fascinating in its unusual structure: it allows us access to Anderson's subtle critical mind in the process of building interpretations." -- -Leah Marcus Vanderbilt University