Jessica White is based at The University of Queensland, Australia. Her memoir about deafness, Hearing Maud, won the 2020 Michael Crouch Award for a debut work of biography. She is currently writing an ecobiography of nineteenth-century botanist Georgiana Molloy. Gillian Whitlock is Emeritus Professor in Communication and Arts at The University of Queensland, Australia. She is currently writing Inhumanities: Refugee Lives in the Archives, a life narrative of asylum seekers in detention at the Nauru camp, and the testimony of the things they left behind.

• IntroductionLife: Writing and Rights in the AnthropoceneJessica White and Gillian WhitlockThe Process1. From the Miniature to the Momentous: Writing Lives through EcobiographyJessica White2. Period Rhetoric, Countersignature, and the Australian NovelThomas Bristow3. Writing Toward and With: Ethological Poetics and Nonhuman LivesStuart Cooke4. Becoming D | other: Life as a Transmuting DeviceAstrid JoutsenoEssays5. Writing the Lives of Plants: Phytography and the Botanical ImaginationJohn Charles Ryan6. "If a Tree Falls …" : Posthuman Testimony in C. D. Wright’s Casting Deep Shade, Eamonn Connor7. Writing the Lives of Fungi at the End of the WorldAlexis Harley8. Planetary Delta: Anthropocene Lives in the Blues MemoirParker Krieg9. Memoir and the End of the Natural WorldTony Hughes-d’Aeth10. "As Closely Bonded as We are:" Animalographies, Kinship, and Conflict in Ceridwen Dovey’s Only the Animals and Eva Hornung’s Dog BoyGrace MooreForum: Writing the Lives of Other-than-Humans11. "Desperation for Life": Writing Death in the AnthropoceneJessica White and Gillian WhitlockForums12. Writing the Cow: Poetry, Activism, and the Texts of MeatJessica Holmes13. Sheep: Voice | Complicity | PrecedentBarbara Holloway14. A Triumphal Entry, a Stifled Cry, a Hushed RetreatRick De VosWhat’s Next?15. Her Biography: Deborah Bird RoseStephen MueckeArtist’s Statement16. Artist’s StatementAnna Laurent

Jessica White is based at The University of Queensland, Australia. Her memoir about deafness, Hearing Maud, won the 2020 Michael Crouch Award for a debut work of biography. She is currently writing an ecobiography of nineteenth-century botanist Georgiana Molloy. Gillian Whitlock is Emeritus Professor in Communication and Arts at The University of Queensland, Australia. She is currently writing Inhumanities: Refugee Lives in the Archives, a life narrative of asylum seekers in detention at the Nauru camp, and the testimony of the things they left behind.

• IntroductionLife: Writing and Rights in the AnthropoceneJessica White and Gillian WhitlockThe Process1. From the Miniature to the Momentous: Writing Lives through EcobiographyJessica White2. Period Rhetoric, Countersignature, and the Australian NovelThomas Bristow3. Writing Toward and With: Ethological Poetics and Nonhuman LivesStuart Cooke4. Becoming D | other: Life as a Transmuting DeviceAstrid JoutsenoEssays5. Writing the Lives of Plants: Phytography and the Botanical ImaginationJohn Charles Ryan6. "If a Tree Falls …" : Posthuman Testimony in C. D. Wright’s Casting Deep Shade, Eamonn Connor7. Writing the Lives of Fungi at the End of the WorldAlexis Harley8. Planetary Delta: Anthropocene Lives in the Blues MemoirParker Krieg9. Memoir and the End of the Natural WorldTony Hughes-d’Aeth10. "As Closely Bonded as We are:" Animalographies, Kinship, and Conflict in Ceridwen Dovey’s Only the Animals and Eva Hornung’s Dog BoyGrace MooreForum: Writing the Lives of Other-than-Humans11. "Desperation for Life": Writing Death in the AnthropoceneJessica White and Gillian WhitlockForums12. Writing the Cow: Poetry, Activism, and the Texts of MeatJessica Holmes13. Sheep: Voice | Complicity | PrecedentBarbara Holloway14. A Triumphal Entry, a Stifled Cry, a Hushed RetreatRick De VosWhat’s Next?15. Her Biography: Deborah Bird RoseStephen MueckeArtist’s Statement16. Artist’s StatementAnna Laurent

Jessica White is based at The University of Queensland, Australia. Her memoir about deafness, Hearing Maud, won the 2020 Michael Crouch Award for a debut work of biography. She is currently writing an ecobiography of nineteenth-century botanist Georgiana Molloy. Gillian Whitlock is Emeritus Professor in Communication and Arts at The University of Queensland, Australia. She is currently writing Inhumanities: Refugee Lives in the Archives, a life narrative of asylum seekers in detention at the Nauru camp, and the testimony of the things they left behind.

• IntroductionLife: Writing and Rights in the AnthropoceneJessica White and Gillian WhitlockThe Process1. From the Miniature to the Momentous: Writing Lives through EcobiographyJessica White2. Period Rhetoric, Countersignature, and the Australian NovelThomas Bristow3. Writing Toward and With: Ethological Poetics and Nonhuman LivesStuart Cooke4. Becoming D | other: Life as a Transmuting DeviceAstrid JoutsenoEssays5. Writing the Lives of Plants: Phytography and the Botanical ImaginationJohn Charles Ryan6. "If a Tree Falls …" : Posthuman Testimony in C. D. Wright’s Casting Deep Shade, Eamonn Connor7. Writing the Lives of Fungi at the End of the WorldAlexis Harley8. Planetary Delta: Anthropocene Lives in the Blues MemoirParker Krieg9. Memoir and the End of the Natural WorldTony Hughes-d’Aeth10. "As Closely Bonded as We are:" Animalographies, Kinship, and Conflict in Ceridwen Dovey’s Only the Animals and Eva Hornung’s Dog BoyGrace MooreForum: Writing the Lives of Other-than-Humans11. "Desperation for Life": Writing Death in the AnthropoceneJessica White and Gillian WhitlockForums12. Writing the Cow: Poetry, Activism, and the Texts of MeatJessica Holmes13. Sheep: Voice | Complicity | PrecedentBarbara Holloway14. A Triumphal Entry, a Stifled Cry, a Hushed RetreatRick De VosWhat’s Next?15. Her Biography: Deborah Bird RoseStephen MueckeArtist’s Statement16. Artist’s StatementAnna Laurent