Claire Farago is Professor of Renaissance Art, Theory, and Criticism at the University of Colorado at Boulder

• AcknowledgementsList of illustrationsClaire Farago, Introduction: seeing style otherwise 1. Catherine Soussloff, Discourse/figure/love: the location of style in early modern sources on Leonardo da Vinci2. Mary Pardo, Leonardo da Vinci on the painter’s task: memory/imagination/figuration3. Robert Zwijnenberg, John the Baptist and the essence of painting 4. Fredrika H. Jacobs, Leonardo, grazia, and the gendering of style 5. Claire Farago, Three ducats in Venice’: connecting Giorgione and Leonardo 6. Janis Bell, Sfumato and acuity perspective 7. Pauline Maguire Robison, Leonardo’s Trattato della pittura, Nicolas Poussin, and the pursuit of eloquence in seventeenth-century France Consolidated bibliographyList of contributors NotesIndex

Claire Farago is Professor of Renaissance Art, Theory, and Criticism at the University of Colorado at Boulder

• AcknowledgementsList of illustrationsClaire Farago, Introduction: seeing style otherwise 1. Catherine Soussloff, Discourse/figure/love: the location of style in early modern sources on Leonardo da Vinci2. Mary Pardo, Leonardo da Vinci on the painter’s task: memory/imagination/figuration3. Robert Zwijnenberg, John the Baptist and the essence of painting 4. Fredrika H. Jacobs, Leonardo, grazia, and the gendering of style 5. Claire Farago, Three ducats in Venice’: connecting Giorgione and Leonardo 6. Janis Bell, Sfumato and acuity perspective 7. Pauline Maguire Robison, Leonardo’s Trattato della pittura, Nicolas Poussin, and the pursuit of eloquence in seventeenth-century France Consolidated bibliographyList of contributors NotesIndex

Claire Farago is Professor of Renaissance Art, Theory, and Criticism at the University of Colorado at Boulder

• AcknowledgementsList of illustrationsClaire Farago, Introduction: seeing style otherwise 1. Catherine Soussloff, Discourse/figure/love: the location of style in early modern sources on Leonardo da Vinci2. Mary Pardo, Leonardo da Vinci on the painter’s task: memory/imagination/figuration3. Robert Zwijnenberg, John the Baptist and the essence of painting 4. Fredrika H. Jacobs, Leonardo, grazia, and the gendering of style 5. Claire Farago, Three ducats in Venice’: connecting Giorgione and Leonardo 6. Janis Bell, Sfumato and acuity perspective 7. Pauline Maguire Robison, Leonardo’s Trattato della pittura, Nicolas Poussin, and the pursuit of eloquence in seventeenth-century France Consolidated bibliographyList of contributors NotesIndex