Le Corbusier

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013). The fifth edition of his classic text Modern Architecture: A Critical History was published by Thames & Hudson in 2020.

• Introduction1. The Formative Years 1887-19162. Towards a New Architecture 1917-19273. The City of Tomorrow 1910-19334. Decorative Art Today 1925-19375. A House, A Palace 1923-19296. World Architect: Czechoslovakia, Russia, Brazil, North Africa, North America, France and Switzerland 1928-19367. The Politics of the Unpolitical: Le Corbusier and Saint-Simonian Technocracy 1923-19478. From Intermediate Technology to Regional Urbanization 1929-19469. Towards a New Habitat 1922-196010. The Sacred and the Profane: Le Corbusier and Spiritual Form 1948-196511. Passage to India 1950-196512. Le Poème de l’Angle Droit13. Fin d’un Monde: The Last Works 1939-1965

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