Helen Williams is a Senior Lecturer in English at Northumbria University, researching eighteenth-century literature and book history. She has co-edited John Cleland's Memoirs of a Woman of Pleasure (2018) and has won a British Academy Rising Star Engagement Award (2019) for her work on the novel in the hand-press period.

• 1. Hands; 2. The Black Page; 3. The Sermon 4. The Marbled Page; 5. Footnotes and Catchwords; 6. Engraved Lines.

'In Laurence Sterne and the Eighteenth-Century Book, Helen Williams has written a careful, scholarly study of lasting value about Sterne as a book designer. No one has yet attempted so thorough and meticulous a study of Sterne's 'graphic and typographic ingenuity'. His audacious blank, black and marbled pages are placed in the context of other printed design materials -'print sources beyond the novel'. What Thomas Keymer did for Tristram Shandy's context of writing-identifying the antecedents for what seems'post-modern' in Tristram's floating world-Williams has done for the physical design of first editions of the book.' TLS Reviews

Helen Williams is a Senior Lecturer in English at Northumbria University, researching eighteenth-century literature and book history. She has co-edited John Cleland's Memoirs of a Woman of Pleasure (2018) and has won a British Academy Rising Star Engagement Award (2019) for her work on the novel in the hand-press period.

• 1. Hands; 2. The Black Page; 3. The Sermon 4. The Marbled Page; 5. Footnotes and Catchwords; 6. Engraved Lines.

'In Laurence Sterne and the Eighteenth-Century Book, Helen Williams has written a careful, scholarly study of lasting value about Sterne as a book designer. No one has yet attempted so thorough and meticulous a study of Sterne's 'graphic and typographic ingenuity'. His audacious blank, black and marbled pages are placed in the context of other printed design materials -'print sources beyond the novel'. What Thomas Keymer did for Tristram Shandy's context of writing-identifying the antecedents for what seems'post-modern' in Tristram's floating world-Williams has done for the physical design of first editions of the book.' TLS Reviews

Helen Williams is a Senior Lecturer in English at Northumbria University, researching eighteenth-century literature and book history. She has co-edited John Cleland's Memoirs of a Woman of Pleasure (2018) and has won a British Academy Rising Star Engagement Award (2019) for her work on the novel in the hand-press period.

• 1. Hands; 2. The Black Page; 3. The Sermon 4. The Marbled Page; 5. Footnotes and Catchwords; 6. Engraved Lines.

'In Laurence Sterne and the Eighteenth-Century Book, Helen Williams has written a careful, scholarly study of lasting value about Sterne as a book designer. No one has yet attempted so thorough and meticulous a study of Sterne's 'graphic and typographic ingenuity'. His audacious blank, black and marbled pages are placed in the context of other printed design materials -'print sources beyond the novel'. What Thomas Keymer did for Tristram Shandy's context of writing-identifying the antecedents for what seems'post-modern' in Tristram's floating world-Williams has done for the physical design of first editions of the book.' TLS Reviews