Laughing Histories

Joy Wiltenburg, Professor Emerita of History at Rowan University, studies the cultural history of early modern Europe. Her publications include Disorderly Women and Female Power in the Street Literature of Early Modern England and Germany (1992) and Crime and Culture in Early Modern Germany (2012).

• Introduction: Laughter and Early Modern Europe, 1. Laughter and Power: The Politics of Laughter, 2. The Laughter of Aggression: Benvenuto Cellini, 3. The Laughter of Social Bonding: Felix Platter, 4. Laughter, Gender, and Sex: Dorothy Osborne, 5. Courtly Laughter: Madame de Sévigné, 6. Laughter and the Rising Man: Samuel Pepys, 7. Laughter as Social Commodity: Hester Thrale and Friends, 8. The Lessons of Laughter

'This wonderful book is packed with characters who come to life – Cellini, with his demeaning, nasty laughter; the delightful Felix Platter who shaved off his beard to stop being a ‘milk mouth’ and made himself unrecognizable to his friends; the terrifying Hester Thrale who scored her friends for humour, good humour and wit. Wiltenburg shows how much we reveal of ourselves and of our times through what makes us laugh, and how we laugh. A mind-opening book.'Lyndal Roper, University of Oxford, UK‘Joy Wiltenburg’s stylish new book on laughter is no joke, but rather an elegant, well-informed, clever, and, above all, contextualized study of a subject too readily dismissed as not historical at all or unserious. Wiltenburg’s probing analysis of laughter in all its guises—the smirk, the snicker, the smile, the grin, the full-throated roar, the guffaw, and the belly-laugh—addresses the very serious matters of gender, power, and class as they shaped how, when, why, and with whom one laughed. Serious and entertaining by turns, it is also, as fully befits the subject, a rollicking good read.’Mary Lindemann, University of Miami, USA‘Joy Wiltenburg has given us an astonishingly original insight into one of humanity’s truly universal activities. Guided by her sparkling and evocative prose, we come to appreciate laughter as a deeply social language that can reveal or conceal, celebrate or ridicule, bond or antagonize. Moreover, her appropriately entertaining anecdotes from the self-testimonies of expertly selected early modern men and women open a fascinating window into their lost world. Highly recommended for general readers and scholars alike.’Joel Harrington, Vanderbilt University, USA