Labour of Literature in Britain and France, 1830-1910

Marcus Waithe is a University Senior Lecturer and Fellow in English at Magdalene College, Cambridge, UK. His publications include William Morris’s Utopia of Strangers: Victorian Medievalism and the Ideal of Hospitality (2006) and (as co-editor), Thinking Through Style: Non-Fiction Prose of the Long Nineteenth Century (2018).Claire White is a University Lecturer and Fellow in French at Girton College, Cambridge, UK. She is the author of Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture: Time, Politics and Class (2014), and the co-editor of two journal numbers on Jules Laforgue and Émile Zola.

• 1. Introduction: Literature and Labour - Marcus Waithe and Claire White.- 2. ‘[A] common and not a divided interest’: Literature and the Labour of Representation - Jan-Melissa Schramm.- 3. Collective Biography and Working-Class Authorship, 1830-1859- Richard Salmon.- 4. George Sand, Digging - Claire White.- 5. Ruskin, Browning / Alpenstock, Hatchet - Ross Wilson.- 6. Flaubert’s Cailloux: Hard Labour and the Beauty of Stones - Patrick M. Bray.- 7. Marian Evans, George Eliot, and the Work of Sententiousness - Ruth Livesey.- 8. Baudelaire and the Dilettante Work Ethic - Richard Hibbitt.- 9. ‘Strenuous Minds’: Walter Pater and the Labour of Aestheticism - Marcus Waithe.- 10. The Work of Imitation: Decadent Writing as Mimetic Labour - Matthew Potolksy.- 11. Literary Machines: George Gissing’s Lost Illusions - Edmund Birch.- 12. Worlds of Work and the Work of Words:Zola: Susan Harrow.- 13. Gender Difference and Cultural Labour in French Fiction from Zola to Colette: Nicholas White.- 14. Immaterial Labour and the Modernist Work of Literature - Morag Shiach.- 15. Epilogue: Work Ethics, Past and Present - Marcus Waithe and Claire White.

“It is only fitting that this outstanding collection points the way toward pleasurable labor that still remains to be done.” (Mark Allison, Victorian Studies, Vol. 62 (1), 2019)