Born on May 17, 1925 in Larino (Molise), Paolo Di Paolo moves to Rome immediately after the war and enrolls a course of History and Philosophy at La Sapienza University. He becomes close to the Roman art scene, in particular with the Forma 1 artists, developing his interest in the figurative arts through the photographic medium. His debut as a photographer takes place as an amateur, meaning “photographing for pleasure”. In 1954 his first photo is published in the cultural weekly Il Mondo directed by Mario Pannunzio, in which, until the newspaper closes in 1966, Di Paolo is the most published photographer. Between 1954 and 1956 he collaborates with La Settimana Incom Illustrata and in the same period he begins a long-term partnership with the weekly Tempo, which lasts until its closure. Numerous reportages are signed with the most successful journalists of the time. As an Envoy, he travels to the Soviet Union, Iran, Japan, the United States, as well as across Europe. Thanks to the friendships established in the cinema and the art world, he creates private and exclusive photos of the greatest intellectuals, artists, actors, and directors of the time; he’s mostly focused on documenting the society and people, reporting the changes from post-war to the “economic boom”. He concludes his photographic career in tandem with Irene Brin, a well-known costume journalist, focusing on fashion assignments and jet-set reportages. With the advent of television and the paparazzi, the closure of many newspapers and the gossip-oriented press, in 1968 Paolo Di Paolo decides to stop taking photographs and to devote himself to studies, curating as historian and graphic designer editions for the Arma di Carabinieri Corps.
