• THE PRE-REFORMATIONCHAPEL, INTRODUCTION 1. The Focal Point of Bishop Elphinstone’s University WORSHIP 2. The Divine Office and the Mass 3. Music and Ceremonial, c. 1500–60 ARCHITECTURE 4. The Medieval Building Appendices: The Proportions and Solomon’s Temple; The Vessels in the Wall , THE MEDIEVAL FITTINGS 5. The Foundation Inscription6. The Wooden Furnishings of Bishop Elphinstone’s Chapel, 7. The Portrait of Bishop Elphinstone 8. The Bells 9. Bishop Elphinstone’s Tomb 10. The Original Armorials 11. Bishop Stewart’s Pulpit 12. The Virgin of the Apocalypse, from the circle of Arnt Beeldesnider THE POST-REFORMATIONCHAPEL ORGANIZATION 13. TheChapel,theCollegeandtheUniversity,1560–1945 WORSHIP 14. Post-Reformation Worship 15. MusicandMusicianssince1891 ARCHITECTURE 16. Post-Reformation Building: the Crown Tower and other repairs POST-REFORMATIONFITTINGS 17. The Desk of Bishop Patrick Forbes 18. The Sundial 19. The King’s Paintings: Preaching to the Times 20. The Silver Mace of King’s College , 21. The Later Armorials, 22. The Arts and Crafts Furnishings, king’s collegechapel,aberdeen,1500–2000 23. The Stained Glass 24. HenryWilsonandElphinstone’sMonument,1912–31, 25. The Chapel Today, 2012.

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• THE PRE-REFORMATIONCHAPEL, INTRODUCTION 1. The Focal Point of Bishop Elphinstone’s University WORSHIP 2. The Divine Office and the Mass 3. Music and Ceremonial, c. 1500–60 ARCHITECTURE 4. The Medieval Building Appendices: The Proportions and Solomon’s Temple; The Vessels in the Wall , THE MEDIEVAL FITTINGS 5. The Foundation Inscription6. The Wooden Furnishings of Bishop Elphinstone’s Chapel, 7. The Portrait of Bishop Elphinstone 8. The Bells 9. Bishop Elphinstone’s Tomb 10. The Original Armorials 11. Bishop Stewart’s Pulpit 12. The Virgin of the Apocalypse, from the circle of Arnt Beeldesnider THE POST-REFORMATIONCHAPEL ORGANIZATION 13. TheChapel,theCollegeandtheUniversity,1560–1945 WORSHIP 14. Post-Reformation Worship 15. MusicandMusicianssince1891 ARCHITECTURE 16. Post-Reformation Building: the Crown Tower and other repairs POST-REFORMATIONFITTINGS 17. The Desk of Bishop Patrick Forbes 18. The Sundial 19. The King’s Paintings: Preaching to the Times 20. The Silver Mace of King’s College , 21. The Later Armorials, 22. The Arts and Crafts Furnishings, king’s collegechapel,aberdeen,1500–2000 23. The Stained Glass 24. HenryWilsonandElphinstone’sMonument,1912–31, 25. The Chapel Today, 2012.

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• THE PRE-REFORMATIONCHAPEL, INTRODUCTION 1. The Focal Point of Bishop Elphinstone’s University WORSHIP 2. The Divine Office and the Mass 3. Music and Ceremonial, c. 1500–60 ARCHITECTURE 4. The Medieval Building Appendices: The Proportions and Solomon’s Temple; The Vessels in the Wall , THE MEDIEVAL FITTINGS 5. The Foundation Inscription6. The Wooden Furnishings of Bishop Elphinstone’s Chapel, 7. The Portrait of Bishop Elphinstone 8. The Bells 9. Bishop Elphinstone’s Tomb 10. The Original Armorials 11. Bishop Stewart’s Pulpit 12. The Virgin of the Apocalypse, from the circle of Arnt Beeldesnider THE POST-REFORMATIONCHAPEL ORGANIZATION 13. TheChapel,theCollegeandtheUniversity,1560–1945 WORSHIP 14. Post-Reformation Worship 15. MusicandMusicianssince1891 ARCHITECTURE 16. Post-Reformation Building: the Crown Tower and other repairs POST-REFORMATIONFITTINGS 17. The Desk of Bishop Patrick Forbes 18. The Sundial 19. The King’s Paintings: Preaching to the Times 20. The Silver Mace of King’s College , 21. The Later Armorials, 22. The Arts and Crafts Furnishings, king’s collegechapel,aberdeen,1500–2000 23. The Stained Glass 24. HenryWilsonandElphinstone’sMonument,1912–31, 25. The Chapel Today, 2012.

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