Amy Laura Hall is Assistant Professor of Theological Ethics at The Divinity School, Duke University, North Carolina.

• Introduction; 1. The call to confession in Kierkegaard's Works of Love; 2. Provoking the question: deceiving ourselves in Fear and Trembling; 3. The poet, the vampire, and the girl in Repetition with Works of Love; 4. The married man as master thief in Either/Or; 5. Seclusion and disclosure in Stages on Life's Way; 6. On the way.

'This is the most analytically persuasive and, at the same time, homiletically moving interpretation of Kierkegaard's corpus as a whole of which I know.' George Lindbeck, Yale Divinity School

Amy Laura Hall is Assistant Professor of Theological Ethics at The Divinity School, Duke University, North Carolina.

• Introduction; 1. The call to confession in Kierkegaard's Works of Love; 2. Provoking the question: deceiving ourselves in Fear and Trembling; 3. The poet, the vampire, and the girl in Repetition with Works of Love; 4. The married man as master thief in Either/Or; 5. Seclusion and disclosure in Stages on Life's Way; 6. On the way.

'This is the most analytically persuasive and, at the same time, homiletically moving interpretation of Kierkegaard's corpus as a whole of which I know.' George Lindbeck, Yale Divinity School

Amy Laura Hall is Assistant Professor of Theological Ethics at The Divinity School, Duke University, North Carolina.

• Introduction; 1. The call to confession in Kierkegaard's Works of Love; 2. Provoking the question: deceiving ourselves in Fear and Trembling; 3. The poet, the vampire, and the girl in Repetition with Works of Love; 4. The married man as master thief in Either/Or; 5. Seclusion and disclosure in Stages on Life's Way; 6. On the way.

'This is the most analytically persuasive and, at the same time, homiletically moving interpretation of Kierkegaard's corpus as a whole of which I know.' George Lindbeck, Yale Divinity School