Akademibokhandeln
Emma Hassencahl-Perley, Kent Monkman, Aimee Ng - Kent Monkman, Inbunden

Inbunden, Engelska, 2026

Kent Monkman

Officer and Laughing Girl / L'Officier et la jeune fille riant

Av Emma Hassencahl-Perley, Kent Monkman, Aimee Ng

419 kr

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Beskrivning
Kent Monkman is frequently inspired by museum collections, re-envisioning iconic works through a contemporary Indigenous lens. He explores themes of colonization, sexuality, loss and resilience-the complexities of historic and contemporary Indigenous experiences-across painting, film/video, performance and installation. His gender-fluid alter ego, Miss Chief Eagle Testickle, often appears in his work as a time-traveling, shapeshifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples.In this English / Canadian French volume, Monkman, as Miss Chief, is seated in his paintings across from a male figure in a room similar to the one in Vermeer's iconic Officer and Laughing Girl. The five paintings depict Miss Chief joined variously by a 17th-century Dutch officer, an 18th-century French explorer, a 19th-century American soldier, a 20th-century Catholic priest and a 21st-century tech executive.
Produktinformation
  • Utgivningsdatum: 2026-11-24
  • Mått: 191 x 241 x undefined mm
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 96
  • Förlag: D Giles Ltd
  • ISBN: 9781913875787
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Mer information

Emma Hassencahl-Perley, a Wolastoqey artist and educator from Neqotkuk (Tobique First Nation), is curator of Indigenous Art at Beaverbrook Art Gallery, Fredericton, New Brunswick, CanadaKent Monkman is an interdisciplinary Cree visual artist and a member of ocekwi sipiy (Fisher River Cree Nation) in Treaty 5 Territory, Manitoba, CanadaAimee Ng is Peter Jay Sharp Chief Curator, The Frick Collection, New York

Recensioner i media

"Few artists take on the Western tradition of historical easel painting as directly as Kent Monkman, who uses the conventions of representation to wrestle the ghosts inhabiting the frames with his own 2SLGBTQIA+ and Indigenous reimaginings."—Hrag Vartanian, Hyperallergic

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